Tag: The Martian Chronicles

Martian Mondays: The Martian Chronicles – Chapter One: Rocket Summer

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Rocket Summer (January 1999/2030) – First published in Planet Stories, Spring 1947.

Arranged in chronological order, the stories of the book start in January 1999, with the blasting off of the first rocket to the planet Mars.

“Rocket Summer” is a short vignette that describes Ohio’s winter turning briefly into summer due to the extreme heat of the rocket’s take-off. The readers also learn the feelings of the nearby residence’s to the rocket’s launch.

A 1997 edition of the book advances all the dates by 31 years from 1999 to 2030.

Martian Mondays: The Martian Chronicles – Introduction

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The Martian Chronicles is a 1950 science fiction short story collection by Ray Bradbury that chronicles the colonization of Mars by humans fleeing from a troubled and eventually atomically devastated Earth, and the conflict between aboriginal Martians and the new colonists. The book lies somewhere between a short story collection and an episodic novel, containing stories Bradbury originally published in the late 1940s in science fiction magazines. For publication, the stories were loosely woven together with a series of short, interstitial vignettes.

Bradbury has credited Sherwood Anderson’s Winesburg, Ohio and John Steinbeck’s The Grapes of Wrath as influences on the structure of the book. He has called it a “half-cousin to a novel” and “a book of stories pretending to be a novel”. As such, it is similar in structure to Bradbury’s short story collection, The Illustrated Man, which also uses a thin frame story to link various unrelated short stories.

The first third (set in the period from January 1999—April 2000) details the attempts of the Earthmen to reach Mars, and the various ways in which the Martians keep them from returning. In the crucial story, “—And the Moon be Still as Bright”, it is revealed by the fourth exploratory expedition that the Martians have all but perished in a plague caused by germs brought by one of the previous expeditions. This unexpected development sets the stage for the second act (December 2001—November 2005), in which humans from Earth colonize the deserted planet, occasionally having contact with the few surviving Martians, but for the most part preoccupied with making Mars a second Earth. However, as war on Earth threatens, most of the settlers pack up and return home. A global nuclear war ensues, cutting off contact between Mars and Earth. The third act (December 2005—October 2026) deals with the aftermath of the war, and concludes with the prospect of the few surviving humans becoming the new Martians, a prospect already foreshadowed in “—And the Moon be Still as Bright”, and which allows the book to return to its beginning.

A 1997 edition of the book advances all the dates by 31 years (thus running from 2030 to 2057), includes “The Fire Balloons”, and replaces “Way in the Middle of the Air” (a story less topical in 1997 than in 1950) with the 1952 short story “The Wilderness”, dated May 2034 (equivalent to May 2003 in the earlier chronology).

Next week I’ll begin doing a summary for all 31 of the short stories in the book summarizing one each Monday.

The Martian Chronicles: Chapter Nineteen

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Usher II (April 2005/2036) first published as Carnival of Madness in Thrilling Wonder Stories, April 1950. “Usher II” tells of Bradbury’s and other writers’ fear of censorship.

A literary expert named William Stendahl retreats to Mars and builds his image of the perfect haunted mansion, complete with mechanical creatures, creepy soundtracks and the application of many tons of poison to kill every living thing in the surrounding area. He is assisted by Pikes, a film aficionado and former actor whose collection was confiscated and destroyed by the government and was subsequently banned from performing. When the Moral Climate Monitors come to visit, Stendahl and Pikes arrange to kill each of them in a manner reminiscent of a different horror masterpiece, culminating in the murder of Inspector Garrett in a sequence reminiscent of Edgar Allan Poe’s “The Cask of Amontillado”. When Stendahl’s persecutors are dead, the house sinks into the lake as in Poe’s short story, “The Fall of the House of Usher”.

Bradbury hints at past events on Earth, set in 1975 – 30 years prior to the events in “Usher II.” A government-sponsored ‘Great Burning’ of books is described, followed by the emergence of an underground society of citizens possessing small hoardings of books, the ownership of which had been declared illegal. Those found to possess books had them seized and burned by fire crews. Mars apparently emerged as a refuge from the fascist censorship laws of Earth, until the arrival of a government organization referred to only as “Moral Climates” and their enforcement divisions, the “Dismantlers” and “Burning Crew”. Bradbury would reuse the concept of massive government censorship (to the point of abolishing all literature) in his book Fahrenheit 451.

In 2010 Los Angeles artist Allois, in collaboration with Bradbury, released an illustrated copy of Usher and Usher 2 double feature.

The Martian Chronicles – Chapter Eighteen

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The Naming of Names (2004-05/2035-36) first appeared in The Martian Chronicles. Not to be confused with the short story “The Naming of Names”, first published in Thrilling Wonder Stories, August 1949, later published as “Dark They Were, and Golden-eyed”.

This story is about later waves of immigrants to Mars, and how the geography of Mars is now largely named after the people from the first four expeditions (e.g., Spender Hill, Driscoll Forest) than after physical descriptions of the terrain

The Martian Chronicles – Chapter Seventeen

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the-martian-chroniclesWay in the Middle of the Air (June 2003/2034) It first appeared in Other Worlds, July 1950.

In an unnamed Southern town, a group of white men learn that all African-Americans are planning to emigrate to Mars. Samuel Teece is an obviously racist white man who loudly decries their departure as he watches a great mass of humanity passing his shop porch. He tries to stop several black men from leaving. One man is harassed because of an old, unneeded debt — other black passers-by give money to relieve the debt. Teece then tries to keep a younger black man (named “Silly”) from leaving, claiming that his work contract (signed with an “X” on a contract, as it is implied that Silly could not read or write) forbids his departure from Teece’s business. After an argument and a threat to lock him in a shed, some of Teece’s white companions stand up to Teece and force him to let Silly leave with his family.

As he drives off, Silly yells to Teece, “what will you do nights now, Mr. Teece?” Teece realizes that Silly is referring to his nocturnal visits to black homes, destroying houses, and lynching black men. Enraged at Silly’s comment, Teece and his father set off to get him. After giving chase in a car, the road becomes impassable, blocked by the discarded belongings of all the departing African-Americans. Teece and his father walk back to the shop, after which the rockets for Mars lift off. Teece, saying that he will be “damned” if he looks at the rockets, sits back in the quiet afternoon, and wonders what he really “will do nights.”

This episode is a poignant depiction of racial prejudice in America. However, it was eliminated from the 2006 William Morrow/Harper Collins, and the 2001 DoubleDay Science Fiction reprinting of The Martian Chronicles.

The Martian Chronicles – Chapter Sixteen

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The Wilderness (May 2003/2034) It first appeared in The Magazine of Fantasy and Science Fiction, November 1952.

Two women, Janice Smith and Leonora Holmes, prepare to leave on a rocket to Mars, to find husbands or lovers waiting for them there. Janice muses on the terrors of space, drinks in last memories of the Earth she will soon be leaving, and compares her situation to that of the pioneer women of the 19th century American frontier.

This story only appears in the 1974 ion of The Martian Chronicles by The Heritage Press, the 1979 Bantam Books illustrated trade ion, and the 1997 ion of The Martian Chronicles. In its original form, the story was dated 2003, and this date is consistent with the other stories. As it seems in the 1997 ion, the date (together with all the other dates) has been shifted ahead 31 years, to May 2034.