This 1997 collection is uneven and at times weak. There is less fantasy or science fiction than in many of Ray Bradbury’s earlier works.
In the short story “Remember Me?” we find the theme of meeting a familiar face in a distant place.
The theme of children’s storytelling and kissing games is found in “House Divided”.
The theme of looking up an old flame is in “I Wonder What’s Become of Sally?”
And one of my favorite themes, the revenge of the nerd everybody picked on is the theme of “The Highest Branch on the Tree”.
The book has some terrific moments. Examples are when Bradbury recalls a tiny, dusty, moth-eaten Mexican circus, tells the hilarious story of Irish drinking buddies looking for a safe place in the bogs to take a woman, and yet another tale of perfect love squandered (“Madame et Monsieur Shill”).
If you’re new to Bradbury, this will do nicely, but for veteran readers it’s a bit of same old same old. I guess Bradbury needed another paycheck to allow this to be published. It is not bad, but this is not his best work.
Loosely based on the period in 1953 when Bradbury lived in Ireland and worked on the screenplay of “Moby Dick” for film director John Huston. A series of terrific set-pieces (such as, “The Terrible Conflagration Up at the Place,” “The Cold Wind and the Warm,” and “The Anthem Sprinters”) are strung together with accounts of the writer-narrator’s meetings with the director, and incidents of the latter’s casual cruelty and unreasonable demands. But the set-pieces, embedded in a 1992 volume, date from the mid-1970s and before, and one might have preferred a more direct, detailed portrait of Huston and Bradbury instead of this recycled collection. But if one has never read any Bradbury before, this is as good a place to start as any, particularly for its rich, entertaining portrait of Ireland and the Irish. Read by Jimmie A. Kepler.
I first read this collection of short stories in 1992. It includes a reprint of the 1983 story that appeared in the January 1984 issue of “Playboy.” It has twenty-two other stories. The majority are reprints from magazine articles. I nominate the short story of “The Toynbee Convector” for the best fantasy/science fiction story ever written. It is as good as Bradbury’s story from his 1951 book the “Illustrated Man – “The Veldt”. It is that good. Here is the story plot/summary. The story’s protagonist claims to have returned from the future. He has tapes and films of a miraculous technological wonderland. Humankind has solved all its major problems – no cancer, no world hunger, etc. This energizes the world with confidence. People believe that their dreams will come true. They proceed to build that future. They have no idea it is all a lie. The lie pictures a wondrous future. It describes this future in breath-taking detail. There is almost an action plan with hints as to how to get there. The world’s brain trust of scientists, economists, and politicians take the clues and make this future a reality. It comes the day when we are at the time and place where he is to appear from the past in the created future. A major deflection occurs. You have to read the story for the conclusion. It is worth reading. While the other stories in the collection are good and “worth the read,” none match the opening story.
Something Wicked This Way Comes by Ray Bradbury is the story of two boys, James Nightshade and William Halloway. It is the story of the evil that grips their small Midwestern town with the arrival of one Autumn midnight. It tells how the boys save the town. It is great reading.
Ray Bradbury excels in revealing the dark side in us all, teaching us ultimately to celebrate the shadows and not fear them. In many ways, this is a companion piece to his joyful, nostalgia-drenched Dandelion Wine, in which Bradbury presented us with one perfect summer as seen through the eyes of a 12-year-old. In Something Wicked This Way Comes, he deftly explores the fearsome delights of one perfectly terrifying, unforgettable autumn.
The genesis of Fahrenheit 451 is in Ray Bradbury’s The Martian Chronicles where he has the story on book burning. Written in 1950 this book is as relevant today as it was when it first went into print.
The book is about political correctness and burning those books that make certain groups feel bad about themselves. The fireman in Bradbury’s book don’t put out fires, they start fires. They search out and burn books. It is a crime, in this society, to own or read books. It is not a society I would want to live in.
Knowledge is evil. People receive all of their culture through television walls that are built into their houses.
Guy Montag is a fireman who loves his work. He likes nothing better than to spray kerosene on a pile of books and watch the pages curl and turn into flakes of black ash that flutter through the air. Until the day he meets Clarisse, a young girl who has been told about a world of books, thoughts, and ideas. Their conversations precipitate a crisis of faith in Guy, and he begins to steal books and hide them in his home.
His wife discovers what he is doing. She becomes terrified. She turns him in. He is forced to burn his beloved collection. Guy flees to avoid being arrested. He joins an outlaw band of scholars who are trying to keep the contents of important books in their heads.
Long After Midnight by Ray Bradbury was published in 1976. This volume is the last of Bradbury’s great short story collections. It is one of my personal favorites.
There are 22 short stories. Each short story is 10 to 15 pages long. That makes the stories ideal to read one story in a sitting.
“One Timeless Spring” is a unique coming-of-age tale of a 12-year-old who is convinced his parents are poisoning him.
“The Utterly Perfect Murder” details a 48-year-old’s revenge on the boy who bullied him when they were 12 years-old.
“Have I Got a Chocolate Bar for You!” depicts the relationship between a Catholic priest and the rotund young man who periodically comes to confession to talk of his peculiar obsession.
“The Parrot Who Met Papa” is an utterly hilarious spoof of Hemingway (or maybe Chandler) and his literary groupies.
The title story is a very different one for Bradbury, about a lonely oceanside suicide … and then there are some of Bradbury’s usual stories about friendly robots and light horror. The book is a truly marvelous story mix. Read by Jimmie A. Kepler
Zen in the Art of Writing by Ray Bradbury is not a single volume on writing. Rather, it is a collection of essays written over his long career. Each of the essays has a real nugget of insight for the reader. Bradbury teaches us about writing. He tells us to write about what we love, and what we hate and to always stay drunk on writing, because it saves us from the world of reality. The book’s title is a little misleading. While Bradbury makes some statements that sound like a “Zen Master”, that is the closest I could come to finding anything “Zen” about the book. I find the title a “hip” title some marketer probably dreamed up.
Bradbury devotes a chapter on the mechanics of writing, the way he learned it. To achieve success as a writer according to Bradbury, one must write at least a thousand words a day. The thousand words a day minimum must continue until the process becomes automatic. It is simply fascinating to get into the mind of one of the greatest science fiction writers on how the craft is done. This chapter alone is worth buying the book which is very economical. It is a wonderful book for the beginning writer and very inspirational for the advanced writer.
The Illustrated Man is a 1951 book of twenty one science fiction short stories by Ray Bradbury. Collectively, they explore the nature of humanity. While none of the stories has a plot or character connection with the next, a recurring theme is the conflict of the cold mechanics of technology and the psychology of people.
The unrelated stories are tied together by the frame device of The Illustrated Man. He is a vagrant with a tattooed body whom the unnamed narrator meets. The man’s tattoos, allegedly created by a woman from the future, are animated and each tell a different tale. All but one of the stories had been previously published elsewhere, although Bradbury revised some of the texts for the book’s publication.
The concept of the Illustrated Man would later be reused by Bradbury as an antagonistic character in Something Wicked This Way Comes, the tattoos coming to represent the souls of sinful victims of a mysterious carnival.
I’ll give a plot summary, one short story at a time, of the eighteen science fiction short stories by Ray Bradbury that make up The Illustrated Man.
The Illustrated Man: Chapter One – The Veld
Background: “The Veldt” is a short story written by Ray Bradbury that was published originally as “The World the Children Made” in the September 23, 1950 issue of The Saturday Evening Post, later republished in the anthology The Illustrated Man in 1951. The anthology is a collection of short stories that were mostly published individually in magazines beforehand.
Summary: Far into the future, two parents use a high tech nursery to keep their children happy. The children use the nursery’s simulation equipment to recreate the predatorial environment of the African veldt. When the parents threaten to take the nursery away, the children lock their parents inside where it is implied that the parents are mauled and killed by the harmless machine-generated lions of the nursery.
Detail: A family lives in a house with the latest technology. It is called the “Happylife Home” and its installation cost $30,000. The house is filled with machines that do everything for them from cooking meals, to clothing them, to rocking them to sleep. The two children, Peter and Wendy, become fascinated with the “nursery,” a virtual reality room that is able to connect with the children telepathically to reproduce any place they imagine.
The parents, George and Lydia, soon realize that there is something wrong with their way of life. The emptiness of life in the “Happylife Home” has caused George to take up smoking and drinking, while the children have become stoners and juvenile. George and Lydia are also perplexed that the nursery is stuck on an African setting, with lions in the distance, eating the dead carcass of what they assume to be an animal. There they also find recreations of their personal belongings. Wondering why their children are so concerned with this scene of death, they decide to call a psychologist.
The psychologist, David McClean, suggests they turn off the house and leave. The children, completely addicted to the nursery, beg their parents to let them have one last visit. The parents relent, and agree to let them spend a few more minutes there. When they come to the nursery to fetch the children, the children lock them in from the outside. George and Lydia look on as the lions begin to advance towards them. At that point, they realize that what the lions were eating in the distance was not an animal, but their own simulated remains.
The kids realized that the only way they could stay in their nursery is to get rid of their parents by locking George and Lydia in the nursery with the lions.
A bitter astronaut feels he has accomplished nothing worthwhile in his life as he and the rest of his crew fall irrevocably to their demise in outer space because of a malfunction in their ship. The story illustrates the collapse of the sanity and logic of the crew members as they face their death. Ultimately, the lamenting narrator is incinerated in the atmosphere of the Earth and appears as a shooting star to a child after wishing that his life would at least be worth something for someone else.
The Illustrated Man: Chapter Three – The Other Foot
Mars has been colonized solely by black people. When they learn that a rocket is coming from Earth with white travelers, they institute a Jim Crow system of racial segregation in which white people are to be considered second-class citizens, in retaliation for the history of wrongs perpetrated on their race by white people. When the rocket lands, the traveler tells them that most of the Earth has been destroyed in a nuclear war, and asks for their help. The people realize that discrimination is harmful in all its forms, and reverse their planned segregation.
The Illustrated Man: Chapter Four – The Highway
A husband and wife living by a highway in rural Mexico go on living their normal, idyllic lives as the highway fills with people fleeing a nuclear war. The story ends with some young travelers they help telling them about the nuclear war, and how the world is ending. After the travelers leave, the residents briefly wonder what the world is, and then continue with their lives.
The Illustrated Man: Chapter Five -The Man
A group of space explorers land on a planet to find the population living in a healthy state of bliss. Upon investigation, they discover that an enigmatic visitor came to them. Further description leads the two spacemen to believe that this man is Jesus (though he is never named, leaving room for other religious personas). One decides to spend the rest of his days on the rejoicing in the wake of the man’s glory. The other continues in his spaceship, chasing ‘him’ always a step behind, never fast enough to catch up to him, constantly trying to achieve the unachievable. Other members of the crew decide to stay on the planet to learn from the contented citizens, and are rewarded by the discovery that he is still on the planet.
The Illustrated Man: Chapter Six – The Long Rain
This is one of my all-time favorite short stories. A group of astronauts are stranded on Venus, where it rains continually and heavily. The travelers make their way across the Venusian landscape to find a sun dome, a shelter with a large artificial light source. However, the first sun dome they find has been destroyed by the native Venusians. Searching for another sun dome, the characters, one by one, are driven to madness and suicide by the unrelenting rhythm of the rain. At the end of the story, only one sane astronaut remains and manages to find a functional sun dome.
The Illustrated Man: Chapter Seven – The Rocket Man
Astronauts of this story are few in number, so work as they desire for high pay. One such astronaut goes off into space for three months at a time, only returning to earth for three consecutive days to spend time with his wife and son. The story is told from the perspective of the son, who holds an interest in one day also becoming an astronaut. Talking with his father, the son learns of the constant battle he faces with yearning for the stars at home while yearning for home while in space. Despite this he has several times attempted to quit, staying at home with his family as he realizes his constant absence has nearly destroyed his wife. At the end of the story the father takes off into space one last time, only to meet his end by the sun, and thus causing his wife and son to live their lives at night to avoid that reminder.
Sidebar: The story was the inspiration for the Elton John song, Rocket Man. The lyrics of the song were written by John’s longtime collaborator Bernie Taupin. They describe a Mars-bound astronaut’s mixed feelings at leaving his family in order to do his job. Musically, the song is a highly arranged pop ballad anchored by piano, with atmospheric texture added by synthesizer and processed slide guitar.
The Illustrated Man: Chapter Eight – The Fire Balloons
A group of priests travel to Mars to act as a missionary to Martians. Once there, they discover that the natives are actually entities of pure energy. Since they lack corporeal form, they are unable to commit sin, and thus do not need redemption.
The Illustrated Man: Chapter Nine – The Last Night of the World
In this story, a married couple awakens to the knowledge that the world is going to end that very evening. Nonetheless, they go through their normal routines of going to work, eating, brushing their teeth, and falling asleep, knowing and accepting the fact that they will not wake up.
The Illustrated Man: Chapter Ten – The Exiles
Numerous works of literature are banned and burned on Earth. The fictional characters of these books are portrayed as real-life entities who live in a refuge on Mars. However, they are vulnerable, as when all the books on a character are destroyed, the character itself vanishes permanently. When the group of characters learn that some people are coming for them, they stage a counterattack, but are foiled by the astronauts who burn the last remaining books from Earth, unknowingly annihilating the entire colony.
The Illustrated Man: Chapter Eleven – No Particular Night or Morning
Two men in a spaceship are discussing how empty and cold space is. The first man is a little bit insane and keeps asking questions about how there is nothing sure in space and there is no night or morning. He refuses to believe anything about reality without sufficient evidence and soon becomes skeptical of everything he cannot directly experience. He said that he doesn’t believe in stars because they are too far away. The second man is wandering about the ship when he learns that someone has left the ship, and it is the first man. The first man is still talking to himself and has killed himself by letting himself fly freely through space.
The Illustrated Man: Chapter Twelve – The Fox and the Forest
A couple from the future tires of the war in their modern lives, so they go on a vacation to the more serene past in an attempt to escape with the help of a company called Travel in Time, Inc. They go to Mexico in 1938, but are pursued by a government agent who forces them to come back to 2155.
The Illustrated Man: Chapter Thirteen – The Visitor
This story takes place on Mars, which is used as a quarantine for people with deadly illnesses. One day, the planet is visited by a young man of eighteen who has the ability to perform thought transference and telepathy. The exiles on the planet are thrilled with his ability and a violent fight breaks out over who will get to spend the most time with their visitor and enjoy the illusionary paradises he can transmit. In the struggle, the young man is killed and the escape he provided is lost forever.
The Illustrated Man: Chapter Fourteen – The Concrete Mixer
A reluctant Martian soldier is forced to join the army as they prepare to invade Earth. However, when they arrive, they are welcomed by a world at peace, full of people who are curious rather than aggressive. The protagonist meets a movie director, and it becomes clear that the people of Earth have planned to exploit the Martians for financial gain. He tries to escape back to Mars, but is run over by a car and killed.
The Illustrated Man: Chapter Fifteen – Marionettes, Inc.
A man attempts to escape his marriage by replacing himself with a robot to fool his wife into thinking he hasn’t left and tells a friend about it. The man comes back and tells the robot to go back into the box, and the robot disobeys him saying he has fallen in love with the wife. The robot then proceeds to put the man in the box and goes to visit the wife.
The Illustrated Man: Chapter Sixteen – The City
A rocket expedition from Earth lands on an uncharted planet to be greeted by a seemingly empty city. As the humans begin to explore, they realize that the city is not as empty as it seems. The city was waiting for the arrival of humans. It has the contingency plan of a long dead civilization. The place was put in place to take revenge upon humanity after humans long before recorded history wiped out their culture with biological weapons. Once the city captures and kills the human astronauts, the humans’ corpses are used as automations to finalize the city’s creators’ revenge; a biological attack on the Earth.
The Illustrated Man: Chapter Seventeen – Zero Hour
Children across the country are deeply involved in an exciting game they call ‘Invasion’. Their parents think it is cute until it turns out that the invasion is real and aliens are using the children to help them get control of Earth.
The Illustrated Man: Chapter Eighteen – The Rocket
Fiorello Bodoni, a poor junkyard owner, has managed to save $3,000 to fulfill his lifelong dream of sending one member of his family on a trip to outer space. The family, however, finds it impossible to choose who will go because those left behind will inevitably envy the chosen one for the rest of their lives. Bodoni instead uses the money to build a replica rocket from an old mock-up, and sets up a 3D theater inside the cabin and convinces the children they are actually going through space.
The British edition, first published in 1952 by Hart-Davis omits The Rocket Man, The Fire Balloons, The Exiles and The Concrete Mixer, and adds Usher II from The Martian Chronicles and The Playground from The Stories of Ray Bradbury.
An edition published in 2001 by William Morrow omits The Fire Balloons and adds The Illustrated Man to the end of the book.
The Illustrated Man: Chapter Nineteen – Usher II
Literary expert William Stendahl has retreated to Mars to escape the book-burning dictates of the Moral Climate Monitors. On Mars, he has built his image of the perfect haunted mansion, replicating the building from Edgar Allen Poe’s short story The Fall of the House of Usher, complete with mechanical creatures, creepy soundtracks and the extermination of all life in the surrounding area. When the Moral Climate Monitors come to visit, each of them is killed in a manner reminiscent of a different Poe story, culminating in the immurement of the lead inspector. When all of Stendahl’s persecutors are dead, the house sinks into the lake.
The Illustrated Man: Chapter Twenty – The Playground
When Charles Underhill was a boy, neighborhood bullies tormented him. When his son begins playing in a local playground, he becomes deeply disturbed when he sees a bully from his youth.
The Illustrated Man: Chapter Twenty one – The Illustrated Man
An overweight carnival worker is given a second chance as a Tattooed Man, and visits a strange woman who applies skin illustrations over his entire body. She covers two special areas, claiming they will show the future. When the first is revealed, it’s an illustration of the man strangling his wife. Shortly after this comes to pass, the carnival workers run the man down, beat him, and look at the second area, which shows an illustration of the same beating they are doing.
“Not a Gentleman’s War: An Inside View of Junior Officers in the Vietnam War” is the story of the 5,069 junior officers who died in Vietnam as well as the ones who survived. We are reminded all officers had volunteered to lead men in battle. Based on Ron Milam’s detailed and thorough research, “Not a Gentleman’s War: An Inside View of Junior Officers in the Vietnam War” gives an excellent analysis of these men. The author has the rare combination of scholarly research and with an easy reading text. The book is divided into two main parts.
Part one views the future officers and officers in the United States. It examines their officer training programs: West Point, Officer Candidate School (OCS), and Army Reserve Officer Training Corps (ROTC). The selection, training, and evaluation process of each is explained in detail. We see how the army ramped up for the increased demand in officers. We feel the arrogance of the West Point educated toward the Infantry Officer Basic Course and the slow change of curriculum at the United States Military Academy. We learn that the majority of officers were commissioned through ROTC. We find out the selection standards were not lowered for OCS. We are reminded that changing views on campus impacted the world views of men commissioned through ROTC.
Part two has the young officer in Vietnam. The four chapters in this section examine the junior officer’s performance as combat leaders. We experience the life and death tests they faced. We confront the myths about the men. We experience the different leadership challenges of being on a mission in the field and being in a firebase or in garrison such as preventing alcohol and drug abuse as well as racial tensions.
Myths about the Vietnam War say the junior officer was a no-talent, inadequately trained, and unenthusiastic soldier. Lt. William Calley of My Lai often is held up as the typical junior officer baby killer. Ron Milam debunks this view with detailed research including oral histories, after-action reports, diaries, letters, and other records.
The author has excellent primary resource materials. He clearly shows that most of the lieutenants who served in combat performed their duties well. The junior officers were effective. They served with great skill. While they were not always clean shaven and often had mud on their boots, they were dedicated and committed to the men they led. Ron Milam’s story provides a vibrant, you-are-there portrayal of what the platoon leader faced and his ability to meet the challenges as documented by field reports and evaluations of their superior officers.
This is a book that all students of the Vietnam War should read. I encourage all military officers to read the book as well. “Not a Gentleman’s War: An Inside View of Junior Officers in the Vietnam War” should be in every college library in the world. Ron Milam has written an excellent book. Dr. Milam is assistant professor of military history at Texas tech University.
On a personal level, the book helped me better understand my own experience as an United States Army officer. I received my officer training and commission through the United States Army Reserve Officer Training Corps (ROTC) between 1971 and 1975. Some of the training I received was based on decisions explained in the book.
“Why are we still over there?”
I asked the Commander-in-Chief.
“Why are still in Afghanistan?
With Osama bin Laden dead,”
The Media worship our Leader.
While the FOX waits for him to slip.
“I want truthful answers,
No more straddling the fence,
The political jargon has to go,
I need words that make sense.”
“Keep calm, you just don’t understand,”
With irritation the President replied,
“You know it’s my predecessors fault,
And the Republican Congress’ too,
George W. blamed Presidents Clinton, Reagan,
And even President Number Forty-One.
That means the father, received blame from the son!”
All across the United States,
The Americans could make no sense.
Less than one percent serve in the military,
While the politicians straddle the fence!
The four horsemen of the apocalypse,
Ride above in the clouds.
As the Predators fly overhead.
They rain death from the sky!
This 1997 collection is uneven and at times weak. There is less fantasy or science fiction than in many of Ray Bradbury’s earlier works.
