Loosely based on the period in 1953 when Bradbury lived in Ireland and worked on the screenplay of “Moby Dick” for film director John Huston. A series of terrific set-pieces (such as, “The Terrible Conflagration Up at the Place,” “The Cold Wind and the Warm,” and “The Anthem Sprinters”) are strung together with accounts of the writer-narrator’s meetings with the director, and incidents of the latter’s casual cruelty and unreasonable demands. But the set-pieces, embedded in a 1992 volume, date from the mid-1970s and before, and one might have preferred a more direct, detailed portrait of Huston and Bradbury instead of this recycled collection. But if one has never read any Bradbury before, this is as good a place to start as any, particularly for its rich, entertaining portrait of Ireland and the Irish. Read by Jimmie A. Kepler.
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Published by Jimmie Aaron Kepler, Ed.D.
Jimmie Aaron Kepler is an award-winning writer and poet. Born in San Antonio, Texas, to a career military father and stay at home mother, he lived in six states and attended eight schools before graduating high school. He earned a Bachelor of Arts in History with minors in English and Military Science from The University of Texas at Arlington, Master of Arts and Master of Religious Education degrees from Southwestern Baptist Theological Seminary, as well as the Doctor of Education degree. His writing awards include the CIPA EVVY 2021 Bronze Winner in the Spiritual/Religion Category and the 2021 NYC Big Book Award Distinguished Favorite for Christian Non-Fiction for Kissing Guilt Goodbye: Breaking Free from the Shackles of Shame (enLIVEn Devotional Series Book 3) for which he was a contributor and the East Texas Christian Writer’s Confernce best short story award. Before writing full time, he worked as a US Army officer for 8-years, religious educator for 18-years, and as an IT software application engineer for over 20-years. He is a widower. He lives in North Texas with his cat Lacey. View all posts by Jimmie Aaron Kepler, Ed.D.
View all posts by Jimmie Aaron Kepler, Ed.D.
Loosely based on the period in 1953 when Bradbury lived in Ireland and worked on the screenplay of “Moby Dick” for film director John Huston. A series of terrific set-pieces (such as, “The Terrible Conflagration Up at the Place,” “The Cold Wind and the Warm,” and “The Anthem Sprinters”) are strung together with accounts of the writer-narrator’s meetings with the director, and incidents of the latter’s casual cruelty and unreasonable demands. But the set-pieces, embedded in a 1992 volume, date from the mid-1970s and before, and one might have preferred a more direct, detailed portrait of Huston and Bradbury instead of this recycled collection. But if one has never read any Bradbury before, this is as good a place to start as any, particularly for its rich, entertaining portrait of Ireland and the Irish. Read by Jimmie A. Kepler.