Learning the Business of Writing

Today is Tuesday March 19, 2013.

Today I was sitting back and reflecting on the writer’s life. It got me to thinking. How did I get that first sale? That first book review?

The first sale involved learning the system. I attended a Smokey Mountains Christian Writer’s Conference. I was a wanna be writer. I learned basics of magazine article writing. Maybe the most important happening at the conference was meeting editors and publishers. I talked to several publishers who expressed interest in working with new writers.

All the editors required that I write on speculation. That means I write on the subject they assign, but they have no obligation to buy my work. It allows them to see if I can follow their rules, meet their deadlines, write sale-able copy, etc.  It lets them see how thick-skinned you are and if you take things personal.

I had a kind editor who loved taking a few rookie writers under his wing each year and mentoring them. He called offering me an article on speculation. I had to rewrite six times before he bought the first article. My payment was 2 1/2 cents per word, that is a check for $12.50, three copies of the magazine – one for me, one for my parents, and one for my wife’s parents – plus my name was on the by-line.

The article appeared in a little magazine called “Sunday School Leadership” published by Lifeway Christian Resources. Its circulation in the early 1980s was over 250,000 paid subscribers. It’s audience was my church members, seminary classmates, and members of the 40,000 plus Southern Baptist Churches in the USA as well as most directors of Christian education of all denominations.

I wrote an article or two for this editor every year for the next 15 or 16 years. It took me over decade before I got a cover article. Once I did get a cover article I got one every year until he retired.  The first article is very basic. It’s title was: “Who Does What“. I wrote the article in the Emory University Library in Atlanta, Georgia. I lived close to the campus. It was a favorite place for me to hang out and study. The article is available by clicking on the link with the article title.

In 1986 I asked about reviewing books. At the time I would put a book review about once a month in my church’s newsletter. My editor was on the mailing list and said I wrote good reviews. He recommended me to a colleague. The thought of having someone give me a book for free to read was exciting to me. I was buying and reading about 100 books a year so free books were a good thing.  The review for the first book is available by clicking on the link with the article title: “Book Review“.

I wrote this article while sitting in my church bus. I had taken the senior adults from my church to an event in the Smokey Mountains. We had the afternoon free and had gone to the Vanderbilt Estate in Asheville, NC.

One lady refused to tour the house. She was protesting paying homage to the rich and decadent lifestyle I think. Even though the tour was prepaid, she refused to go on it. It was fall and cool in the mountains. I would not let her stay on the bus by herself. So, I sat out there all afternoon and wrote. I can write anywhere I think. The dear lady is still living and around 90 years old and still as stubborn. The picture is of the Vanderbilt Estate.

What is my point? My point is if you love to read and write you can probably leverage it into a paying gig.  You’ll never get rich. I learned at the DFWCon (the Dallas Fort Worth Writer’s Conference) last spring that less than one percent of all writers are able to support themselves writing full-time. So don’t quit your day job. If love writing why not go for it? Just write!

Encourage your friends, keep reading and write.
Jimmie A. Keple
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Be Encouraged

Today is Sunday March 17, 2013. 

One way a writer can become successful is by having a more established writer as a mentor. Writing groups can serve the function of mentor. Let me share an example of the influence a mentor. In 1919 a young veteran returned from World War I. He moved to Chicago moving into a particular neighborhood for the purpose of being close to the author Sherwood Anderson.

The young beginning writer was impressed by the critical praise for Anderson and his book Winesburg, Ohio. He had heard that Sherwood Anderson was willing to help aspiring writers. He worked to met Anderson. The two men became close friends. They met almost every day to read newspapers, magazines, and novels. They dissected the writings they read.

The aspiring writer brought his own works for critique having Anderson help him improve his craft. Anderson went as far as introducing the want-to-be writer to his network of publishing contacts. The aspiring writer did okay with his first book The Sun Also Rises. The aspiring writer was Ernest Hemingway.

Sherwood Anderson didn’t stop there. He moved to New Orleans where he met another aspiring writer. He took the young man through the same steps and paces of the craft. He actually shared an apartment with this young man. He even invested $300 in getting this writer’s first book Soldier’s Pay published. This young author was William Faulkner.

Anderson would later move to California and repeat the process with John Steinbeck. Thomas Wolfe and Erskine Caldwell were also mentored by Sherwood Anderson. Ray Bradbury says Winesburg, Ohio was on his mind when he wrote The Martin Chronicles. He basically wrote Winesburg, Ohio placing it on the planet Mars.

Only Mark Twain has had a greater influence in shaping modern American writing than Sherwood Anderson. Anderson didn’t do too badly, did he? William Faulkner, Ernest Hemingway and John Steinbeck each won the Nobel Prize for Literature and there are multiple Pulitzer Prizes between them.

If you are serious about writing I encourage you to find a mentor or join a writing group. The encouragement of my writer’s group and critique group keep me motivated.

Encourage your friends, keep reading and write.
Jimmie A. Kepler

Dallas and North Texas Pictures and Places

Today is Saturday March 16, 2013.

Dallas and north Texas is a special place. It attracts people like a picnic attracts ants. The population of the Dallas-Fort Worth metropolitan region soared faster in a one-year period than any other in the country, with the Houston area coming in second, according to new figures from the U.S. Census Bureau.

Census estimates released Thursday show nearly 132,000 people were added to the Dallas-Fort Worth area from July 2011 to July 2012. Since April 2010, the region’s population has grown by nearly 275,000 people.

Let me share five pictures of the Dallas area.

Number one: Downtown Dallas from the Flower Market.

Dallas Flowers
This photo was taken on January 31, 2009 using a Nikon D3X by Trey Ratcliff. This work is licensed under a Creative Commons Attribution-NonCommerical-ShareAlike 2.0 License. Source: http://www.flickr.com/photos/stuckincustoms/3280044703/ – Some rights reserved

Number Two:

Trolley Car “Rosie” in Uptown Dallas. The M-Line’s air-conditioned and heated restored vintage trolleys run 365 days a year, providing safe, clean, reliable, and convenient public transportation free of charge (except charters) in Dallas’ vibrant Uptown Neighborhood.

Trolley Car Rosie

Number Three:

McDonald’s near the Dallas Zoo

Mickey D's

Number Four:

The Trailing Longhorns – The Dallas Convention Center is in the background.

Longhorns

Number Five:

Recognize this place? It is the South Fork Mansion Drive over at the South Fork Ranch. The Ewing Mansion is to the right in the picture. It is about 25 minutes from my house.

Southfork Ranch

I’ll share more about Dallas in the weeks ahead.

Encourage your friends, keep reading and write.
Jimmie A. Kepler

Colorado Christian Writer’s Conference

CCWCToday is Monday March 11, 2013.

I am attending the Colorado Christian Writer’s Conference in May 2013. It meets the Wednesday through Sunday after Mother’s Day. The conference fee was $350 USD. Lodging and meals $306 USD. Travel and transportation are extra. The conference is full of workshops, continuing sessions, worship, writing, and information. Workshops I will attend:

“Write a Compelling Short Synopsis” – It’s often easier to write a chapter-by-chapter synopsis than to condense your novel into a two-page synopsis. Helpful how-to tips. Teacher – Nicola Martinez.

“Writing Flash Fiction that Sells” – How to create a compelling story in 1,000 words or less and where to sell it. Teacher – Ben Erlichman.

“Character & Culture Creation” – How to create interesting personalities that defy their stereotype and build an alien/fantasy civilization. Teacher – N. Paul Williams.

“A Love Affair with Words” – Use but don’t abuse them. Play with them, take them seriously, cherish them, listen to them, pray for them, respect them, and release them. Teacher – Cathy Lawton.

“Being the Poet” – Do you want to grow as a poet? Practice, professionalize, publish! Bring a working draft of your “poet’s resume” and 2 to 3  original poems to share. Teacher – Jane Beal.

“Craft of Fantasy” – Learn the theory and how-to of creating believable secondary worlds using techniques from the art of drawing and real-life geography to help visualize your world.
Teacher – Jane Beal.

Over the four days of the conference I’ll be attending continuing sessions with one teacher. There will be a session in the morning and afternoon each day. The total hours with the teacher is six. My Continuing Session is “Inspiration and Perspiration”. The teacher is Dina Sleiman. Dina writes lyrical stories that dance with light. Since finishing her Professional Writing MA in 1994, she has enjoyed many opportunities to teach literature, writing, and the arts. Her debut novel, Dance of the Dandelion, received an honorable mention in the 2012 Selah Awards. Her latest release, Love in Three-Quarter Time, is the launch title for the new Zondervan First imprint. Dina serves as an acquisitions editor for WhiteFire. Join her as she discovers the unforced rhythms of grace. www.dinasleiman.com Writing is both a right-brained and a left-brained activity, engaging both the head and the heart. More importantly, Christian writing touches the spirit as we attempt to share the life changing message of the Word of God. This class will demonstrate how to hear God’s voice, take the lump of clay idea that the Holy Spirit births in your heart, and begin to hone and shape it into a work of art, using the model of biblical authors.

Encourage your friends, keep reading and write.
Jimmie A. Kepler

Albedo One and Albedo 2.0

AlbedoAlbedo One & Albedo 2.0 – Submission Guidelines for Authors

We are always looking for thoughtful, well written fiction. Our definition of what constitutes science fiction, horror and fantasy is extremely broad and we love to see material which pushes at the boundaries or crosses between genres.

All authors receive a complimentary print and pdf copy of the issue their story appears in. Our payment is 6 euro per 1000 words (i.e. 0.6 cents per word), up to 8000 words. We hope to improve our rates gradually in the future, and purchasing the magazine is the way to help us achieve that!

Our preferred length is between 2,500 and 8,000 words. We have published stories above that limit, but only because we thought that they were of exceptional quality. Please also note that we cannot (regretfully) pay for additional words beyond 8000.

Our response time is variable – but we aim to respond between two to four months after submission date.

We do not accept simultaneous or multiple submissions, nor do we accept previously published stories, the exception being stories that have been published previously in languages other than English (i.e. you may submit stories that have not yet been published in English, but the stories must be translated to English for submission).

We do not count stories that have been posted online in fiction workshops for critique and improvement as having been previously published (i.e. these may also be submitted, but must be removed from the workshop if accepted for publication).

All stories submitted will be considered for publication in either Albedo One magazine, OR in the online Albedo 2.0 Fiction Showcase series, which aims to publish and showcase online the very best fiction that the Albedo One team can lay their hands on.

For postal submissions: All stories should be typewritten, on A4 paper or US equivalent, double line or 1.5 line spaced, using one side of the paper and leaving at least 1″ margins all round. Electronic version should be available on request.

We do NOT return manuscripts, so disposable manuscripts ONLY please!

Our postal submissions address:

Albedo One
2 Post Road
Lusk
Co. Dublin
Ireland

All submissions must be accompanied by an e-mail address, our preferred method of response, or a SAE with Irish stamps. NO English stamps, NO American stamps please – the Irish Post Office does NOT accept these. International Reply Coupons (IRCs) are unfortunately also not accepted by the Irish Post Office.

For email submissions: Mail your e-mail submission to: bobn@yellowbrickroad.ie.

Email submissions may be pasted into the body of your email, or may be submitted as an attachment in .rtf format (no .docx please).

Please enter subject line as follows: Fiction Submission: Name of Story

We strongly suggest that potential contributors be familiar with the style and content of Albedo One before submitting, and we advise ordering a copy or minimally reading a low-cost pdf copy before submitting stories.

Story rights: Upon acceptance of a story for publication in Albedo One magazine or the Albedo 2.0 Fiction Showcase, we claim First World English Rights for Online and Print mediums. This lets us be the ones to publish your story first, worldwide in the English language, either in the pages of Albedo One, or online on the Albedo 2.0 Fiction Showcase. As soon as we have published your story, be it in Albedo One magazine or Albedo 2.0, rights revert to the authors. Albedo One NEVER claims any permanent rights to your work.

You might also wish to consider entering our respected horror, fantasy and science fiction writing competition, the International Aeon Award Short Fiction Contest, with a grand prize of €1000 euro (yes, that’s right, €1000!) and publication in Albedo One.

We are also looking for interviews with high profile authors, media personalities and for book reviews.

Albedo One – Guidelines to Artists

Please submit a sample of your work. We currently require cover artwork only. Artwork may be commissioned on the basis of your initial sample submission. We pay €20 for artwork, on publication.

Our address:

Albedo One
2 Post Road
Lusk
Co. Dublin
Ireland

Aeon Press – Guidelines for Authors

AEON PRESS IS CURRENTLY CLOSED TO SUBMISSIONS.

Source: http://www.albedo1.com/?page_id=82

“The True Story of Catch – 22: The Real Men and Missions of Joseph Heller’s 340th Bomb Group in World War II” by Patricia Chapman Meder. The publisher is Casemate Publishing.

Did Joseph Heller commit a disservice to the members of the 340th Bomb Group when he wrote Catch-22? Did author  Patricia Chapman Meder write an apologetic defending the real four officers some feel Joesph Heller blindsided when he made them into Catch-22’s four heavy hitters?

“The True Story of Catch – 22: The Real Men and Missions of Joseph Heller’s 340th Bomb Group in World War II” is a combination of both plus I feel some admiration for Joseph Heller making those men infamous.

There is a reason the original Catch-22 is found in the fiction not nonfiction section of bookstores. Joseph Heller didn’t write a memoir of his service during World War II. He wrote a satirical and somewhat historical novel.

Patricia Chapman Meder uses rare and unpublished photos to bring our actual heroes to life through use of first person narrative.

There is a third part in her book that is actually the book’s heart. She takes twelve men of the 340th and relates twelve true tales.

Fans of Catch-22 will enjoy the book. It makes good use of diaries, logs, and photos to bring the people to life. For those unfamiliar with Catch-22 the book will make you curious enough to pickup Heller’s book.

“The True Story of Catch – 22: The Real Men and Missions of Joseph Heller’s 340th Bomb Group in World War II” would make a nice companion volume or commentary for the serious student of the original work. It would make a nice inclusion in university or community libraries as a resource for Joseph Heller’s book.

I recommend “The True Story of Catch – 22: The Real Men and Missions of Joseph Heller’s 340th Bomb Group in World War II” by Patricia Chapman Meder. The publisher is Casemate Publishing.

Read and reviewed by Jimmie A. Kepler.