Poem: Is Johnny Crawford from “The Rifleman” in Your Company?

Chuck_Connors_Johnny_Crawford_The_Rifleman_1960

Is Johnny Crawford from “The Rifleman” in Your Company?

We pressed our faces up against the chain linked fence.
We were supposed to be playing soccer during physical education class.
But we ran to the chained linked fence that separated our school yard from the dirt road.
We stared at the young soldiers marching to training.
They looked so army soldier in their fatigues, helmets and carrying their rifles at right shoulder arms.
They looked like a scene out of “Combat” that we watched each week on our televisions.
While barely just four or five years older than us, they looked all grown up.
A pretty seventh grade girl got up he courage and yelled,
“Is Johnny Crawford from “The Rifleman” in your company?”
There had been a news story of Johnny Crawford’s arrival at Fort Bliss for his basic training.
A kind three stripe sergeant responded,
“No miss, he’s in a different training company.”
“You boys going to Viet-Nam after basic?” asked the P.E. coach who had walked over and joined us.
“Maybe so, but first we got to survive this!” said a smiling boyish faced trainee.
“Quiet in the ranks!” screamed the drill sergeant.
The dust was getting thicker as the soldiers continued marching by.
Most of the seventeen and eighteen year old troopers were looking at the pretty thirteen year old blonde girl.
Some were thinking of their younger sisters back home,
Some were thinking the thoughts seventeen and eighteen years old young men have when seeing a pretty, young teenage girl, and
Some were wondering if they would live long enough to fall in love, marry, and ever have a daughter of their own.

Copyright © 2008 by Jimmie A. Kepler
Originally published in http://www.johnnycrawford.com, February 2008.

Photo credits:

Top photo: Photo of Chuck Connors as Lucas McCain and Johnny Crawford as his son, Mark, from the television program The RiflemanThis work is in the public domain in that it was published in the United States between 1923 and 1977 and without a copyright notice.

Why I Write

George_Orwell_in_Hampstead_-_geograph.org.uk_-_432863Today is Thursday March 21, 2013. 

In 1946, George Orwell (his real name was Eric Arthur Blair) wrote an essay titled “Why I Write”. It detailed his personal journey to becoming a writer. Orwell lists “four great motives for writing” which he feels exist in every writer. He explains that all are present, but in different proportions, and also that these proportions vary from time to time. They are as follows:

1. Sheer egoism – Orwell argues that many people write simply to feel clever, to “be talked about, to be remembered after death, to get your own back on grown-ups in childhood, etc.” He says that this is a great motive, although most of humanity is not “acutely selfish”, and that this motive exists mainly in younger writers. He also says that it exists more in serious writers than journalists, though serious writers are “less interested in money”.
2. Aesthetic enthusiasm – Orwell explains that present in writing is the desire to make one’s writing look and sound good, having “pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story.” He says that this motive is “very feeble in a lot of writers” but still present in all works of writing.
3. Historical impulse – He sums this up by simply stating this motive is the “desire to see things as they are, to find out true facts and store them up for the use of posterity.”
4. Political purpose – Orwell writes, “No book is genuinely free from political bias”, and further explains that this motive is used very commonly in all forms of writing in the broadest sense, citing a “desire to push the world in a certain direction” in every person. He concludes by saying that “the opinion that art should have nothing to do with politics is itself a political attitude.”

After reading the essay, I came up with my list. They are as follows:

1. Ego/Hubris – I love to see my name listed as the author. I enjoy when my name appears on the cover of a magazine and in the table of comments of a magazine. I wish to see my name on the spine of a traditionally published book.
2. Educating People – I have loved when I have published a magazine article then get a telephone call, letter, or email asking for more information on the subject. Sometimes because of my writing, I have received job offers and speaking engagements. I enjoy informing people about historical events, writer’s lives, and the backgrounds of people and events.
3. Desire to influence others and be held in esteem by others – Maybe this goes with number one – Hubris. I recall the pride my oldest son had when he went to college and found several of my traditionally published magazine articles while doing research. He said it was somewhat cool to quote his father’s published work in a research paper. He said some of what I wrote for journals would be in the library forever.
4. Sharing my faith – I remember reading the late musician and former Beatles guitarist George Harrison’s memoir, “I, Me, Mine”. In the book, he says he purposefully wrote songs to share his beliefs and faith in Hare Krishna. I do the same to share my faith and belief in Jesus Christ. I try to do it in the normal flow of life as opposed to clobbering someone with the Bible.

If you write, why do you write?

Encourage your friends, keep reading and write.
Jimmie A. Keple
r

Photo credits: This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license. English: George Orwell in Hampstead On the corner of Pond Street and South End Road, opposite the Royal Free Hospital. The bookshop has long gone. Date: 11 May 2007. Source: From geograph.org.uk

Devotional: You Are Never Too Old To Go For Your Dream

Jeremiah 33:3. It reads, “Call upon Me, and I will answer you, and show you great and mighty things, which you do not know!” Has God placed in your heart the desire to share His truth through writing? God has never called a person without providing him or her with the ability to complete the task or the place to excercise the call. Maybe, like me, you have a few years of life experience under your belt (coade for getting up there in years). It’s never too late to begin. Here are a few examples of older people made a big impact or accomplished remarkable things (with a few years under their belts).

“The world stands aside,” said David Jordan, “to let anyone pass who knows where he is going.” Having a goal or dream applies to those, who learn where they are going late in life as well as for the young.

At age 40, James Michener published his first book. He authored more than 50 titles – 26 historical fiction novels, 31 nonfiction books, and 13 of his works were adapted into TV mini-series or made into movies.

At age 53, Margaret Thatcher became Britain’s first female prime minister.

At age 65, Winston Churchill became British prime minister for the first time and started the epic struggle against Hitler. Churchill received the Nobel Prize for Literature in 1953 at age 79 for his many published works, especially his six-volume set The Second World War. He wrote the six volume set when he was in his 70s without any assistance or ghost writers. The photo is of Sir Winston Churchill.

At age 69, Ronald Reagan was elected President of the United States. He served two terms. He was 77 years old when he completed his second term in office.

At age 70, 80 and again at 90, former President of the USA George H.W. Bush parachuted out of an airplane.

At age 72, Golda Meir became prime minister of Israel.

At age 75, Ed Delano of California bicycled 3100 miles in 33 days to attend his 50th college reunion in Worcester, Massachusetts.

At age 80, Grandma Moses, who had started painting in her late 70s, had her first one-woman exhibit.

At age 80, Winston Churchill returned to the House of Commons as a member of parliament and also exhibited 62 of his paintings.

At age 81, Benjamin Franklin skillfully mediated between disagreeing factions at the U. S. Constitutional Convention.

At age 90, Sarah had a son named Issac. God found Sarah and her husband Abraham useful to His cause. See Genesis 17:17 KJV, “Then Abraham fell upon his face, and laughed, and said in his heart, Shall a child be born unto him that is an hundred years old? and shall Sarah, that is ninety years old, bear?” God promised Abraham and Sarah that they would have a son, and Isaac was born.

At age 96, George C. Selbach scored an 110-yard hole-in-one at Indian River, Michigan.

On his 100th birthday, ragtime pianist Eubie Blake exclaimed, “If I’d known I was going to live this long, I’d have taken better care of myself.”

How about you? Have you slowed down, packed it in, given up, and checked out? If I know the Heavenly Father, I know that He has something wonderful still in store for you! It’s never too late. Why don’t you call God up and ask Him what that might be. His number is found in The Bible in Jeremiah 33:3. It reads, “Call upon Me, and I will answer you, and show you great and mighty things, which you do not know!”

Encourage your friends, keep reading and write.
Jimmie A. Keple
r

Picture Source:
Churchill V sign HU 55521.jpg This artistic work created by the United Kingdom Government is in the public domain. This is because it is one of the following: 1) It is a photograph created by the United Kingdom Government and taken prior to 1 June 1957; or 2) It was commercially published prior to 1961, or 3) It is an artistic work other than a photograph or engraving (e.g. a painting) which was created by the United Kingdom Government prior to 1961.

Learning the Business of Writing

Today is Tuesday March 19, 2013.

Today I was sitting back and reflecting on the writer’s life. It got me to thinking. How did I get that first sale? That first book review?

The first sale involved learning the system. I attended a Smokey Mountains Christian Writer’s Conference. I was a wanna be writer. I learned basics of magazine article writing. Maybe the most important happening at the conference was meeting editors and publishers. I talked to several publishers who expressed interest in working with new writers.

All the editors required that I write on speculation. That means I write on the subject they assign, but they have no obligation to buy my work. It allows them to see if I can follow their rules, meet their deadlines, write sale-able copy, etc.  It lets them see how thick-skinned you are and if you take things personal.

I had a kind editor who loved taking a few rookie writers under his wing each year and mentoring them. He called offering me an article on speculation. I had to rewrite six times before he bought the first article. My payment was 2 1/2 cents per word, that is a check for $12.50, three copies of the magazine – one for me, one for my parents, and one for my wife’s parents – plus my name was on the by-line.

The article appeared in a little magazine called “Sunday School Leadership” published by Lifeway Christian Resources. Its circulation in the early 1980s was over 250,000 paid subscribers. It’s audience was my church members, seminary classmates, and members of the 40,000 plus Southern Baptist Churches in the USA as well as most directors of Christian education of all denominations.

I wrote an article or two for this editor every year for the next 15 or 16 years. It took me over decade before I got a cover article. Once I did get a cover article I got one every year until he retired.  The first article is very basic. It’s title was: “Who Does What“. I wrote the article in the Emory University Library in Atlanta, Georgia. I lived close to the campus. It was a favorite place for me to hang out and study. The article is available by clicking on the link with the article title.

In 1986 I asked about reviewing books. At the time I would put a book review about once a month in my church’s newsletter. My editor was on the mailing list and said I wrote good reviews. He recommended me to a colleague. The thought of having someone give me a book for free to read was exciting to me. I was buying and reading about 100 books a year so free books were a good thing.  The review for the first book is available by clicking on the link with the article title: “Book Review“.

I wrote this article while sitting in my church bus. I had taken the senior adults from my church to an event in the Smokey Mountains. We had the afternoon free and had gone to the Vanderbilt Estate in Asheville, NC.

One lady refused to tour the house. She was protesting paying homage to the rich and decadent lifestyle I think. Even though the tour was prepaid, she refused to go on it. It was fall and cool in the mountains. I would not let her stay on the bus by herself. So, I sat out there all afternoon and wrote. I can write anywhere I think. The dear lady is still living and around 90 years old and still as stubborn. The picture is of the Vanderbilt Estate.

What is my point? My point is if you love to read and write you can probably leverage it into a paying gig.  You’ll never get rich. I learned at the DFWCon (the Dallas Fort Worth Writer’s Conference) last spring that less than one percent of all writers are able to support themselves writing full-time. So don’t quit your day job. If love writing why not go for it? Just write!

Encourage your friends, keep reading and write.
Jimmie A. Keple
r

Be Encouraged

Today is Sunday March 17, 2013. 

One way a writer can become successful is by having a more established writer as a mentor. Writing groups can serve the function of mentor. Let me share an example of the influence a mentor. In 1919 a young veteran returned from World War I. He moved to Chicago moving into a particular neighborhood for the purpose of being close to the author Sherwood Anderson.

The young beginning writer was impressed by the critical praise for Anderson and his book Winesburg, Ohio. He had heard that Sherwood Anderson was willing to help aspiring writers. He worked to met Anderson. The two men became close friends. They met almost every day to read newspapers, magazines, and novels. They dissected the writings they read.

The aspiring writer brought his own works for critique having Anderson help him improve his craft. Anderson went as far as introducing the want-to-be writer to his network of publishing contacts. The aspiring writer did okay with his first book The Sun Also Rises. The aspiring writer was Ernest Hemingway.

Sherwood Anderson didn’t stop there. He moved to New Orleans where he met another aspiring writer. He took the young man through the same steps and paces of the craft. He actually shared an apartment with this young man. He even invested $300 in getting this writer’s first book Soldier’s Pay published. This young author was William Faulkner.

Anderson would later move to California and repeat the process with John Steinbeck. Thomas Wolfe and Erskine Caldwell were also mentored by Sherwood Anderson. Ray Bradbury says Winesburg, Ohio was on his mind when he wrote The Martin Chronicles. He basically wrote Winesburg, Ohio placing it on the planet Mars.

Only Mark Twain has had a greater influence in shaping modern American writing than Sherwood Anderson. Anderson didn’t do too badly, did he? William Faulkner, Ernest Hemingway and John Steinbeck each won the Nobel Prize for Literature and there are multiple Pulitzer Prizes between them.

If you are serious about writing I encourage you to find a mentor or join a writing group. The encouragement of my writer’s group and critique group keep me motivated.

Encourage your friends, keep reading and write.
Jimmie A. Kepler

Dallas and North Texas Pictures and Places

Today is Saturday March 16, 2013.

Dallas and north Texas is a special place. It attracts people like a picnic attracts ants. The population of the Dallas-Fort Worth metropolitan region soared faster in a one-year period than any other in the country, with the Houston area coming in second, according to new figures from the U.S. Census Bureau.

Census estimates released Thursday show nearly 132,000 people were added to the Dallas-Fort Worth area from July 2011 to July 2012. Since April 2010, the region’s population has grown by nearly 275,000 people.

Let me share five pictures of the Dallas area.

Number one: Downtown Dallas from the Flower Market.

Dallas Flowers
This photo was taken on January 31, 2009 using a Nikon D3X by Trey Ratcliff. This work is licensed under a Creative Commons Attribution-NonCommerical-ShareAlike 2.0 License. Source: http://www.flickr.com/photos/stuckincustoms/3280044703/ – Some rights reserved

Number Two:

Trolley Car “Rosie” in Uptown Dallas. The M-Line’s air-conditioned and heated restored vintage trolleys run 365 days a year, providing safe, clean, reliable, and convenient public transportation free of charge (except charters) in Dallas’ vibrant Uptown Neighborhood.

Trolley Car Rosie

Number Three:

McDonald’s near the Dallas Zoo

Mickey D's

Number Four:

The Trailing Longhorns – The Dallas Convention Center is in the background.

Longhorns

Number Five:

Recognize this place? It is the South Fork Mansion Drive over at the South Fork Ranch. The Ewing Mansion is to the right in the picture. It is about 25 minutes from my house.

Southfork Ranch

I’ll share more about Dallas in the weeks ahead.

Encourage your friends, keep reading and write.
Jimmie A. Kepler

Poem: I Get Up In The Morning

I Get Up In The Morning

I get up in the morning
A new day begins
I go the mirror
And shave my face again

The years show my age
But my eyes still shine
I think of my lady
I’m so glad she’s still mine

I go to my workplace
And I do my thing
I listen to Pandora
And I start to sing

The day passes quickly
My tasks all complete
I drive to the restaurant
And order tea that’s sweet

The evening meal is fine
As fine as fine can be
And my desert
Is something for all to see

I return to my house
Now the day is done
I sit on the porch
And watch the setting sun

The day is now over
And I go to bed
I say my prayers
And meditate on Scripture in my head

I pray that my dreams
Have me thinking of you
And in my slumber
My dreams come true

I get up in the morning
A new day begins
I go to the mirror
And shave my face again.

Jimmie A. Kepler
© 2008

Originally published in:
WORDS..RHYMES..POETRY & PROSE!

Poem: The Year 2000 Is Only 30 Years Away

The Year 2000 Is Only 30 Years Away

It’s Thursday and 1970 starts today as the 60s are now in the past
In the Cotton Bowl we will watch Texas play Notre Dame
After we watch the Cotton Bowl and Tournament of Roses Parades
And the reporter just said the year 2000 is only 30 years away

Soon I will graduate high school and start college
I sure hope I never have to go to Viet-Nam
And I can’t help but still be amazed that just last July
Our American astronauts really walked on the moon

I wonder what the future holds in store for me
In the 2000s that are so, so far away
Will I vacation on the moon or maybe on Mars?
Will I marry? What will be my job? Where will I live?

I love to study history, to read and write
A poet and author is all I want to grow-up and be
But a doctor, dentist, or accountant is what I think my parents want me to be
I might apply to Congressman Teague for an appointment to the US Air Force          Academy

January 1, 1970
Jimmie Aaron Kepler

This is one of the oldest poems I have written by me. It was in notebooks and papers my mother gave me about a year ago. I was in the eleventh grade at DeSoto High School, DeSoto, Texas. I remember writing this one. I had attended an all night New year’s Eve party at my church, Calvary Baptist Church, getting home around sunrise. My father made me get up to watch the parades and be ready for the Cotton Bowl football game. I remember Texas won and were named national champions. I sat writing this poem and thinking about the future. I remember one of the announcers for the parade said something about the year 2000 being only 30 years away and that the kids in school today would be living in the 2000s. His words got me to writing.

Dandelion Wine

Dandelion Wine is a moving collection of stories of a magical small town summer in 1928.  It gives a nostalgic feeling of a childhood long gone. This is not a typical piece of work for Ray Bradbury. There are no supernatural or futuristic happenings.  It is a semi-autobiographical recollection. It is fun to read.

Dandelion Wine tells the story of twelve-year-old Douglas Spaulding spending the summer in Green Town, Illinois.   It is about Douglas Spaulding realizing that he is alive. It is very heavy on figurative writing.  I think it would be challenging for younger people under high school age to read.

I was particularly touched by the story of the best friend moving away.  Growing up in a military family, best friends moving away happened to often. It was always a sad time.

I highly recommend Ray Bradbury’s stories of boyhood and summer.  I have read it several times. I’ll do chapter summaries of the book. I’ll begin with a summary of chapter one.

Summary: Chapter 1. Douglas Spaulding spends the night in the cupola of his Grandfather’s house. It gives him a fantastic view of the town. He wakes up early on the first day of summer. He performs a complex series of actions that correspond with the darkness of night turning into morning’s first light and the awakening of the townspeople. He does this in a way similar to a conductor leading an orchestra. His actions imply magic, thus setting the basis of the novel as collections of life events touched with a degree of fantasy.

Summary: Chapter 2 has the theme of illumination. Douglas Spaulding goes with his ten-year-old brother Tom and his father to pick fox grapes. While Tom and his father act like today is just a regular day, Douglas senses a mysterious presence around them. When Tom starts a friendly horseplay fight between the two of them, Douglas suddenly realizes what the mysterious presence is. It is the revelation that he is alive. He finds it a wonderful and invigorating feeling.

Summary: Chapters 3, 4, and 5. Dandelion wine is offered as a metaphor of summer here, bottled for the winter season of illnesses and wheezing. In Douglas’ words: “Dandelion wine. The words were summer on the tongue. The wine was summer caught and stoppered.”

Douglas discovers that his feet won’t move as fast as that of the other boys because his sneakers are worn out. He becomes entranced by a pair of brand-new Cream-Sponge Para Litefoot Shoes in a shop window, and thinks on how the need for a “magic” pair of sneakers to run in the green grass is something only boys can understand when his father argues against buying another. The local shoe seller, Mr. Sanderson, is initially resistant to selling the sneakers to Douglas, especially since he doesn’t even have enough money to pay for them upfront. Douglas, however, convinces him to try on a pair of his own sneakers, which triggers memories in Mr. Sanderson of when he was a kid and ran like the antelopes and gazelles. He agrees to let Douglas have the sneakers in return for work done by him in the shop to pay off the bill. The story ends with Douglas speeding away in the distance and Mr. Sanderson picking up his discarded old sneakers.

Summary: Chapter 6. Douglas Spaulding lets Tom see a tablet of paper that he is using to record his summer in, with two sections labeled “Rites and Ceremonies” and “Discoveries and Revelations.” The contents of the two sections are what would be expected for a kid, including a “revelation” that kids and grown-ups don’t get along with each other because they’re “separate races and ‘never the twain shall meet.’” Tom suggests a eye-opener of his own. He explains night is created from “shadows crawling out from under five billion trees.”

Summary: Chapter 7. Chapter seven accomplishes another ritual of summer with the setting up of the porch swing as a place for night-long conversation. Douglas comments on how sitting in the porch swing feels somehow “right” because one would always be comforted by the droning, ceaseless voices of the adults. In keeping up with the fantasy-tinged atmosphere of the novel, the chapter gradually shifts from a realistic beginning, where the family is setting up the swing, to an almost dreamlike conclusion, where the grown-ups’ voices are personified as drifting on into the future.

Summary: Chapters 8 and 9. Chapters eight and nine tell of the “Happiness Machine”. After listening to old people’s depressing and defeatist conversations, Leo Auffmann maintains they shouldn’t dwell on such unhappy topics. Douglas and his grandfather, passing by, suggest to Leo that he should make a Happiness Machine. After the talking people laugh at this apparently ridiculous idea, Leo becomes determined to do just that. A brief scene of him returning to his family of six children indicates his happiness at home, demonstrated when his wife Lena asks, “Something’s wrong?” after Leo expresses his wish to build a Happiness Machine.

Summary: Chapter 10. Chapter ten concerns the night. Interposed between Leo’s stories is an extra story referring to Douglas’ family. It begins without fanfare. We find Tom running to Mrs. Singer’s store to get ice cream at nine o’clock on the same night for himself and Douglas. However, by nine-thirty, Douglas has not returned. This causes his worried mother to go to the ravine with Tom. Tom, in spite of the darkness of the night, feels safe because he is holding his mother’s hand and because he has a little understanding of death. His sense of security, however, vanishes when he feels his mother’s hand tremble and realizes that she is afraid, like him. The ensuing revelation that apparently unfazed grown-ups feel loneliness and pain too unnerves him and makes him aware of the darkness surrounding them. Just before he feels overwhelmed, Douglas and his friends return, breaking the spell of aloneness. Tom later tells Douglas that the ravine would not belong in Leo’s Happiness Machine, thus contrasting the pleasures humans wish for with the realities they receive instead.

Summary: Chapter 11. Chapter eleven is a short chapter. It picks-up on the topic of the Happiness Machine. The setting is the front swing. Leo sits with his wife Lena. The time is night. Lena tells him that they don’t need a Happiness Machine. Leo says that he’s going to build the Machine for others. He says it that would cure-all depressed. He is greeted with only silence, but is too preoccupied with noting the sounds of nature that would belong in the Machine to notice this foreshadowing.

Summary: Chapter 12. Chapter twelve could be titled “The Lawns of Summer”. It is another interception of Leo’s story which re-focuses on the Spaulding family. Douglas’ grandfather begins the day, happily reveling in the sound of the lawn mower running on their lawn, an indicator to him that summer has truly begun. Grandma, however, tells him that Bill Forrester, the man cutting their grass, is planning to plant new grass on their lawn that will only grow to a certain height, thus eliminating the need for lawn mowers. (Note: no such grass actually exists yet in the real world) Horrified at this, Grandpa gives Bill a firm lecture on how little things can matter more than the big ones, especially to experienced people like him. Bill attempts to change his mind, but only convinces Grandpa further of his position when he learns that the new grass will kill off the dandelions.

Grandpa finally pays Bill the cost of the grass flats in return for him not installing the flats in his lawn. He takes a nap and wakes up in the afternoon to find Bill cutting the lawn again, having learned to appreciate the “little things,” thanks to Grandpa.

Summary: Chapter 13. Chapter thirteen continues “The Happiness Machine” theme. Leo, still infatuated with building the Happiness Machine, asks Lena if she is “pleased, contented, joyful, or delighted.” Lena gives a mocking reply which offends Leo who is taking his goal seriously, and they get into an argument. The quarrel ends only when Lena realizes that she’s burned their dinner for the first time in twenty years.

Leo then spends several weeks laboring in his garage to build his Happiness Machine. During this time, the state of his family falls to pieces, but Leo is too busy with his invention to pay attention to his wife’s forewarning.

At last, Leo completes his Happiness Machine. As luck would have it, the Happiness Machine turns out to cause sadness instead of the anticipated happiness, causing both Saul, his son, and Lena to weep after sitting in it. Lena explains to him that a Happiness Machine cannot be built for humans because it would only give them everything they wanted all the time, and produce no fulfillment. Besides, it makes them pine for things they shouldn’t even be thinking about, such as when a dancing stimulation in the Machine caused her to miss the times when Leo would take her out for dances, hence causing them to feel only unhappiness about their lives. Leo, still disbelieving, decides to take a test run in the Machine himself, but just as he is about to do so, the Machine catches fire, and burns down to the ground.

After the incident, Leo comments to Douglas and his father that he’s been a fool because the real Happiness Machine has been right in front of him all along. He shows them his newfound Happiness Machine running in perfect order — his family.

Summary: Chapter 14. Chapter fourteen begins as the Spaulding family prepares to shake out the rugs, Douglas and Tom’s imaginations turn this chore into a magical discovery, fancying that they see the happenings and neighbors in their town in the stains of one rug. A lavish metaphor at the end of the chapter describes Tom beating the rug so hard that the dust rises up to meet him, another surrealistic chapter ending possibly a reference to the Judeo-Christian belief that man was created from dust.

Summary: Chapters 15 and 16. Chapter fifteen and sixteen concerns a “Season of Disbelief”. Mrs. Bentley, a seventy-two year old woman who saves all memorabilia from her past, finds her beliefs challenged by two girls named Alice and Jane, who meet her along with Tom and don’t believe her when she says that she was young like them once. Claiming that she’s lying, they run away laughing, leaving Mrs. Bentley infuriated.

The next time they meet, Mrs. Bentley shows them some of her relics, including a photograph of her as a child. Alice and Jane say that the objects don’t prove anything, since she could have got them from another girl, and Mrs. Bentley’s insistence that they will one day be old like her fails to unnerve them. They run away with her “stolen” possessions, further shaking Mrs. Bentley’s confidence in the authenticity of her childhood. As she sifts through her memorabilia, she hears the voice of her husband speaking to her, explaining that the items don’t really belong to her because they came from the past, not from the present she is living in now. Even affidavits wouldn’t change the fact that she’s no longer the self that the saved clothes and pictures were meant for.

Mrs. Bentley finally understands, and discards the tokens of her past the next day with the help of the girls and Tom. From then on, she lives in the present only, confirming the girls’ belief that she was never young “in a million trillion years.”

In a following chapter, Tom later tells Douglas of his revelation that old people never truly were young, which Douglas writes down in his tablet.

Summary: Chapters 17 and 18. Chapters seventeen and eighteen cover the theme of “The Last, the Very Last”. Douglas and Tom are introduced to a living “Time Machine” in the form of Colonel Freeleigh who narrates incredibly vivid descriptions of his personal experiences, including a fatal bullet trick performed by Ching Ling Soo, being on the prairie with Pawnee Bill, and witnessing the Battle of Fort Sumter. His anecdotes draw the boys themselves into the detailed events, and all agree that the colonel is a true Time Machine.

Similar to the previous story in Chapter fourteen, there is an expository chapter in which Douglas and Tom record the story in Douglas’ tablet and provide both casual and profound commentary on its implications.

Summary: Chapter 19. Chapter nineteen is about the “The Green Machine”. In the chapter two elderly women, Miss Fern and Miss Roberts, take refuge in their attic after they accidentally run over Mister Quartermain while riding the Green Machine, believing him to be dead. Huddling together, they recall the time when they bought the Green Machine from a salesman as a noiseless, smooth form of transportation. The first week on the Green Machine went by like a dream, until the accident with Mister Quartermain. Fern and Roberts lament on how they did not stop or at least get help for him, and then resolve to not drive the Green Machine ever again. Later on, they learn that Mister Quartermain did not die after all.

Summary: Chapter 20. Chapter twenty is about “The Trolley”. Douglas is horrified to find out that yet another form of transportation for the summer is about to be gone; the trolley run by Mr. Tridden, which will have its tracks replaced with new ones for a bus. On the last day of operation Mr. Tridden offers the children a free ride, and Douglas, Tom, and a group of children from the neighbourhood climb aboard. During the ride, they comment on how a bus cannot emulate the feel and smell of a trolley, further emphasized by use of gorgeous imagery to describe the sights the boys see while in the trolley. At the end of the line, Mr. Tridden uses an emergency generator to take the streetcar on a track line abandoned for eighteen years that leads to a lake where once the trolley took people to summer festivities. Mr Tridden relates the events of a summer night in 1910 before taking the children home. When the trip concludes, Douglas reflects on how he will always remember the trolley tracks, even after they have been buried in reality. In a humorous reversal, the somber meditation on the vanishing of the trolley is punctuated by a brief snippet of Douglas agreeing to a game of kick the can, abruptly ending the chapter on a lighthearted note.

Summary: Chapters 21 and 22. Douglas’ best friend John Huff is introduced and described in this chapter as the ideal boy to be friends with. John, however, tells Douglas that his family will be moving tomorrow. In response to Douglas’ protests, John comments on how he has suddenly realized that he’s taken so many things for granted in his neighborhood that he can’t remember most of them, including his parents’ faces, and on how he’s afraid that Douglas will similarly forget him. Douglas assures him that he has a perfect memory of his face, but ruins his claim when he can’t remember that John’s eyes are green.

Douglas attempts to enjoy his last day with John, but keeps on being reminded of the diminishing amount of time before John’s departure. He tries a last-ditch effort to keep John from leaving by “freezing” him for three hours when the children play statues. John refuses to play along and instead begins another round of Statues, in which he “freezes” Douglas instead just before he leaves for good. After he realizes that John is gone for good, Douglas, thinking of how statues stay still compared to humans who can’t be controlled, yells out into the distance that he hates John.

Another expository chapter, this one the shortest yet at only one page, has Douglas asking Tom to promise that he will stay with him. He also says that he’s concerned about how God runs the world, to which Tom replies simply, “He tries,” most likely an accepting remark that life isn’t perfect.

Summary: Chapter 23 and 24. Elmira Brown, a high-strung woman, believes that Clara Goodwater, her rival for the position of president for the Honeysuckle Ladies Lodge, is a witch who is causing her numerous small accidents, including tripping over objects in front of her. Elmira accuses Clara of performing dark magic on her to sabotage her chances in the election, using information from her mailman husband about a stack of books for magic spells that was sent to her house. Clara, in response, says that the books are for her younger cousin, and claims that Elmira’s accidents are caused by her own clumsiness. Unconvinced, Elmira brews a potion for herself to counter Clara’s “dark magic,” and brings Tom with her to the ladies’ meeting as her “charm.”

The potion, however, does not stop her from continuing to knock things over, and she in fact begins to feel strangely disoriented as she talks on the platform. Elmira loses the election yet again to Clara, who then draws from her purse a voodoo doll with several tacks embedded in it. A dazed Elmira asks Tom to show her the way to the restroom, but she makes a wrong turn and tumbles down a flight of stairs. Miraculously, she has no broken bones despite heavy bruises, and Clara apologizes to her and even offers a second vote to elect her as president. The story ends with all the women running up the stairs, laughing and crying at the same time. It is left unclear on whether Elmira’s fall was caused by mental disorder, nausea after drinking her “potion,” or real witchcraft by Clara.

Another one-page chapter shows Tom telling Douglas about his weird encounter with the ladies at the lodge, and they comment on how the town is full of magic, illustrating how kids view events differently than grown-ups do.

Summary: Chapters 25 and 26. Chapters twenty-five and twenty-six could be titled “The Window”. Colonel Freeleigh, the same “Time Machine” the boys listened to in Chapter seventeen, has been confined to a hospital for his weakening health. His sole comfort is a phone in his room that he can use to dial the number of an old friend in Mexico City who lays his phone on an open window to allow him to hear the bustling noises outside. When the nurse learns of his phone calls, she tells him that she will give orders to take the phone away to prevent him from overworking his heart further. A desperate Freeleigh, feeling his chest pains worsen, dials his friend’s number once more, begging for one last listening to the sounds of the city people. As his friend does so, Freeleigh immerses himself in the activity of Mexico City, thinking of how grateful he is for this reminder that the world is still alive and moving. When Douglas and the other children stop by for a visit, they find Freeleigh dead, still holding the phone. Douglas listens to the phone in time to hear “two thousand miles away, the closing of a window,” a metaphor for Freeleigh’s death.

In the following chapter, Douglas sits silently as Tom pretends to be a Civil War soldier, pondering on how with Colonel Freeleigh’s death, all of his memories of the historical figures died too. Tom, however, fails to share in his brooding, only suggesting that he write his thoughts down in his tablet before resuming his play.

Summary: Chapter 27. July has ended, and thirty-one bottles of dandelion wine have been made. Douglas, remembering his recent string of losses of friends and machines, wonders why each bottle looks identical and not representative of the day it was made on. He says out loud that August will be tedious and uneventful, to which his grandfather attempts to remedy his melancholy with a swig of dandelion wine and some ordered exercises.

Summary: Chapters 28 – 31. Bill Forrester, with Douglas at his side, orders lime-vanilla ice at the soda fountain. His unusual request catches the attention of ninety-five year old Helen Loomis who invites him to visit her house tomorrow. Bill complies, and he and Helen start a friendly conversation about the appearances people keep up for each other, that soon diverges into Loomis acting as a “Time Machine” similar to Colonel Freeleigh to transport Bill into the pyramids of Egypt. Bill comments on how comfortable he feels talking to her, and Helen replies by reminding him that she’s only an old woman. While lounging in his chair, Bill attempts to envision her as being young again; he succeeds for a moment in seeing “the swan,” which he unintentionally says out loud, strangely disquieting Helen.

Bill continues to visit Helen every day for two and a half weeks, but only on the last day does he tell her what motivated him to visit her in the first place: a photograph taken of her when she was twenty. He had seen the picture in the newspaper for the town ball and intended to go to the ball to seek the beautiful girl it showed, until someone told him that the picture had been taken a long time ago and had been used by the newspaper every year since then to advertise the ball. Helen replies with an overview of a young man she once knew in her youth who was handsome but wild and reckless; he left her, but when she saw Bill at the fountain that day, she was strongly reminded of him — almost as if he were a reincarnation of her former companion.

Sometime later, Bill finds Helen writing a letter addressed to him. Helen explains to him that she will be dead in a few days, and that the letter she is writing will come to him then. When Bill attempts to protest about the lack of time they have had together, Helen says that she believes that they will meet again sometime later — possibly in reincarnated forms. She tells him to marry and live happily, but says that he has to die before the age of fifty in order to ensure that when they are reincarnated, they will be of the correct ages and be able to meet and fall in love with each other.

Two days later, Bill receives the letter. Inside it is a note reading, “A dish of lime-vanilla ice.”

The next chapter shifts back to the viewpoint of Douglas, who asks Tom on how come Mr. Forrester and Mrs. Loomis did not get a happy ending, as in the movies. However, the boys’ attentions are quickly distracted from the subject when they arrive at Summer’s Ice House, and turn to the legend of the Lonely One in the town, acting as an introduction to the next story.

In the expository chapter, it is revealed in the conversation between Doug, Tom, and Charlie that Lavinia killed the Lonely One by stabbing him with a pair of sewing scissors. Charlie berates Lavinia for killing off their main source of thrills, but Tom convinces him that the actual Lonely One is still alive because the man they took in looked like “a plain, everyday man who wouldn’t pull the wings off even so much as a fly,” instead of the tall, bulgy-eyed monster they think he should look like. Neither of them listen to Douglas who says that he was at the ravine at that time and witnessed Lavinia discovering Elizabeth’s body, and thus can no longer treat the Lonely One as just an amusingly scary figure.

Summary: Chapters 32 and 33. Chapter thirty-two could be titled “Good-by, Grandma”. Douglas’ great-grandma, after countless years of assisting her family, feels that her time is expiring with a growing tiredness. She lies down in her bed amidst the protests of her relatives, waiting for her death. When Douglas asks her who’s going to do all the chores she did around the house, she says that they belong to anyone who wants them, and reminds him that she will not truly be dead in his mind. As her family leaves her to rest alone, she returns to the dream she was in before she was born, dying happily and peacefully.

In chapter thirty-three Douglas, disillusioned by the recent deaths and losses and by the light of a multitude of fireflies, writes for a long time on the shortcomings of things and people, associating them mainly with breaking down (machines) or death (people). He seems to be on the verge of a great revelation as he quickly scribbles at the end a summary of the dark side of his summer experience:

“So if trolleys and runabouts and friends and near friends can go away for a while or go away forever, or rust, or fall apart or die, and if people can be murdered, and if someone like great-grandma, who was going to live forever, can die…if all of this is true…then…I, Douglas Spaulding, some day, must…”

However, the fireflies’ light has gone out, so Douglas stops writing and releases the fireflies into the night. He then tries to fall asleep.

Summary: Chapters 34 and 35. Chapter thirty-four is about The Tarot Witch that was created for their novel. Douglas takes Tom to a Penny Arcade to show him the mechanical Tarot Witch there. When Tom asks him why he wanted him to see her, Douglas says that he asks too many questions. He then thinks to himself that it’s because he was initially elated when he realized that he was alive, before he realized that being alive meant that he must die someday too, no matter how much he wants to prevent it. No longer certain about his life, he wants to take comfort in something that he knows never will go away, i.e. the permanent amusements at the carnival. Douglas gets a typical fortune from the Tarot Witch, but the card she gives Tom is blank. Tom suggests that the Witch might have run out of ink, but Douglas insists that the blank card must have some special meaning. Thinking that she might have written a message in invisible ink on the back of the card, Douglas runs a match over it. He accidentally burns up the card in the process, but says that he read a French message from the Witch, calling for help. He comes to the conclusion that the Witch is really a princess trapped in hot wax that someone poured over her.

Douglas plots to “rescue” the Tarot Witch by overloading a machine with coins so that Mr. Black, the carnival manager, will use them to get drunk. Mr. Black, however, goes crazy and smashes the Witch’s glass case. Douglas jumps in to stop him; just as Mr. Black is about to attack him with a knife, he passes out from his drinking. Douglas and Tom confiscate the Witch, planning to free her, but just as they reach the ravine, Mr. Black reappears and flings the Witch into the ravine, to Douglas’ horror.

Later on in the day, Douglas and Tom return to where the Tarot Witch is lying. Douglas says to Tom that the Witch is really alive, and that someday he will be able to free her from the wax with magic spells so that the Witch will become just another figurine. As he mentions their fortunes, another blank card falls from her sleeve. Douglas exclaims that it must be written with her thanks and a prediction that they will “live forever.”

Chapter thirty-five can be titled “Hotter than Summer”. Douglas comes upon Tom who is counting the times cicadas buzz every fifteen seconds to measure the temperature. Douglas reads the home thermometer as reading 87°F (31°C), but Tom, after finishing his count, says that it is actually 92° (33°C) Spaulding. Feeling woozy, Douglas begins subconsciously counting to the cicadas’ buzzes too.

Summary: Chapters 36 and 38. Chapters thirty-six through thirty-eight concerns “Dinner at Dawn”.  This story focuses upon Mr. Jonas and his wagon full of discarded objects that he totes around town in the very early morning, allowing people to take what they need from it at no cost; many of them donating some of their old items to the wagon before it moves on forward again.

On a scorchingly hot morning, with the cicadas buzzing louder than normal with the rising temperature, Douglas lies in his bed, burning up with a fever. Tom and his mother attempt to cool him down, to no avail. In his fever, Douglas has hallucinations of long-lost people and machines walking past, including Mr. Tridden and his trolley, Miss Fern and Roberts riding by on their Green Machine, and Colonel Freeleigh popping up like a clock, all waving good-bye to him, which makes him cry out loud.

At four o’clock in the afternoon, Tom tells Mr. Jonas about Douglas’ condition and says that he’s afraid that he might die. Mr. Jonas gives him a set of wind-chimes to hang by Douglas’ window, but they do not make a sound because there is no wind. Mr. Jonas visits the Spaulding residence to see Douglas at seven-thirty, but Douglas’ mother says that he is not to be disturbed. By nightfall, Douglas is no better, and his family takes him outside in a cot, in the hope that he will be cooled by a wind.

Finally, at twelve-thirty, Mr. Jonas makes a stop with his wagon where Douglas is sleeping and leaves him two bottles filled with air containing soothing vapor and smells from the tropics and moisture-filled areas, on the condition that he pass this favor on to someone else. The bottles of air appear to work, as Tom finds Douglas breathing the same refreshing air in and out of his nose.

The next morning, the heat and the cicadas finally fade down with the coming of rain, and Douglas is well enough to write in his tablet again of his experience.

Summary: Chapter 39. Chapter thirty-nine is about “The Magical Kitchen”. Douglas’ grandma is renowned in the household for her divine cooking for the entire family. Aunt Rose, however, threatens this magic when she questions Grandma’s methods of cooking, and later persuades Grandma to organize her kitchen, wear glasses, and read from a cookbook while cooking. This systematic cooking that results, however, destroys the uniqueness and magicalness of Grandma’s dinners for the rest of the family. In response to this, Grandpa bids Aunt Rose good-bye, but Grandma appears to have lost her touch for cooking.  While the rest of the members are awake in their beds, Douglas sneaks down to the kitchen and restores it back to its original chaos, getting rid of the glasses and the cookbook. The family heads downstairs to find that Grandma has reconnected with her cooking again as it was meant to be, and everyone enjoys a magnificent late dinner. The chapter closes with Douglas thinking on how he repaid Mr. Jonas by passing on his favor.

Summary: Chapter 40. Chapter forty is “Green Wine for Dreaming” was created the novel the boys are writing. The last chapter of the novel concludes Douglas’ summer, as he and Tom spot school supplies advertised for sale in a shop window. The boys reminisce about the events of summer with the aid of the labeled dandelion wine bottles, guaranteeing that they will remember this summer in their hearts. The Spaulding family stores away their porch swing for autumn, as others reverse their summer preparations as the season draws to an end.

The end of the novel echoes the beginning, with Douglas performing his waking-up act in reverse, pretending to switch the lights off and put everyone else to sleep before finally going to sleep himself, ending a very eventful and memorable summer and ending a very enjoyable book.

Review: Papa John – An Autobiography: A Music Legend’s Shattering Journey Though Sex, Drugs, and Rock ‘n’ Roll

Return with me to those glorious days of the 1960’s when we transitioned from folk music to folk rock. You will enjoy this book if you like a brutally honest account of the seedy side of sex, drugs, and rock and roll. John Phillips was driven, hugely talented, lucky, and a beast in terms of consumption. I read this book the first-time in 1986 and really enjoyed it. It reminded me at times of an old soldier telling war stories.

I had earlier read Michelle Phillips’ fluffy memoir, “California Dreamin’,” She had told us a Sunday School version of her marriage to John and the Mamas and Papas. I learned nothing-new from Michelle. I knew there must be more to the story of the Mamas and the Papas. Therefore, I sought out her ex-husband’s story. At more than two-and-a-half times the length, “Papa John” did not disappoint. It contained all the grimy details that Michelle chose to omit, and then some.

If you read the book you find yourself saying TMI, TMI, TMI (too much information) if you have little taste for very private information on drug use, personal sex life (he tells who, how, when, where, with almost XXX description of tryst, by tryst) for my taste. He tells not only of his private life but of a number of other celebrities as well. He admits everything from paying quarters for sex from a neighborhood girl when he was a young teen, to hookers and barmaids in Havana to explaining what it means to be “greasing on American Express”.

The story of the origins of the Mamas and the Papas including Cass getting hit on the head and it changing her pitch is included. The books later chapters deal with his and his daughter McKenzie Phillips heavy drug taking are in meticulous, mind-numbing, and often alarming detail. Perhaps putting it all down for the record was healing for John. Perhaps he was attempting to discourage others from going down the same path. At times, I felt like the priest in the confessional booth or the psychiatrist who was hearing it all. His descriptions were so nauseating that I quickly read them. It would make most swear-off or never go near drugs.

If pop music history is your thing, you won’t want to miss this unique slice of history of the son of a USMC career officer and Cherokee Indian mother. He is the father of Jeffrey Phillips, Mackenzie Phillips, Chynna Phillips (conceived during the Monterey International Pop Festival – the story of her conception is in the book), Tamerlane Phillips, and Bijou Phillips.

Also, after the book’s release John Phillips wrote the song “Kokomo” along with Scott McKenzie, Mike Love and Terry Melcher. Recorded by The Beach Boys in 1988, it became the biggest selling song of 1988. It is also the Beach Boys best-selling single and one of the best-selling songs of all time. It secured John Phillips financially for the rest of his life.