Valor in Vietnam 1963 – 1977: Chronicles of Honor, Courage and Sacrifice

I enjoyed reading “Valor in Vietnam 1963 – 1977: Chronicles of Honor, Courage and Sacrifice” by Allen B. Clark. I can easily recommend the book. In the vast literature on Vietnam that is too often  memoirs full of hubris or tomes that bore you with action killing details, Mr. Clarke has given us a wonderful, fresh look at one of the most seminal events in the life of those who experienced the 1960s and 1970s. You experience the Vietnam War from the personal point of view of  some of the men and women who were there. You get both a unique boots on the ground and narrative perspective.   
 
I need to give a spoiler warning. I was left wondering if the actions Colonel Clyde R. Russell was the catalyst that started the war. It was interesting to see his son in high school in Saigon in 1964. Later, we learn of his son, Lieutenant Chris Russell – the reluctant warrior as the author called him. We see how his dad got his college student deferment pulled where he had to go in the Army. We see when he is in Vietnam he returns to the halls he walked as a ten grader. The building is now used for a very different purpose.
 
The book is full of wonderful, well told stories that sequentially take us through the war. The stories of men and women of various branches of service and ranks, both officer and enlisted gives a you were there feel.
 
I especially enjoyed the combat leadership lessons that were shared as we made our way through the years of the war. I would hope that such venues as the Infantry School, Command and General Staff College, and War College would include this insightful work in their required or recommended reading. I pray these are lessons that will not have to be learned over and over, but can be taught through case studies from this book.
 
While every chapter was well written and action packed, a couple of chapters especially touched me. They were the chapters on The Real Horrors of War covering Captain Wendy Weller’s tour as a nurse in 1969-1970 and the chapter titled Ranger’s Ranger covering the 1965 – 1970 tours of duty of Staff Sergeant Patrick Tadina. I was amazed at how low the casualty rate was for the units/missions he led and how long he was in Vietnam.
 
The book’s title caught my attention when it had the date range going to 1977 instead of stopping in 1973 or 1975. Spoiler alert – the last chapter covers 1975 to 1977 and a couple who were left behind when the last Americans fled. It is intriguing.
 
Congratulations to author Allen B. Clark and Casemate Publishing.  You have published a special book. “Valor in Vietnam 1963 – 1977: Chronicles of Honor, Courage and Sacrifice” by Allen B. Clark. The publisher is Casemate Publishing. 
 

Review: We Were Soldiers Once and Young

There is a movie based on this book. I read the book before seeing the motion picture. I was very surprised when I saw the movie. They had left out the second battle. It was a battle that was just as bloody as the first, but without LTC Moore commanding.

General Moore and Joseph Galloway have written a fine book. It should be must reading for every military officer and politician. I found this book to be consuming my attention. It was very hard to put down. The narrative of the training, deployment, battle, wives back at Fort Benning, battle, deaths and death notifications by cab drivers, and the stupidity of the leadership that lead to the second battles terrible losses.

We Were Soldiers Once and Young is terrific book!

I was in junior high school when the battle of Ia-Drang took place. I remember it vividly. My dad had returned months earlier from his first duty in Viet-Nam. I was living in a military family on a military base. I watched soldiers march to and from training daily from my school’s playground.

I can still vividly recall the CBS evening news story with Walter Cronkite discussing the impact of all the deaths on Fort Benning and Columbus, Georgia. I wish I had read this before I served as a US Army Infantry platoon leader.

Buy it, read it, and keep it in your library.

White Heat – The Friendship of Emily Dickinson and Thomas Wentworth Higginson

White HeatHe had seen men enslaved, and seen death in battle on a terrible scale. So when a young, unknown poet named Emily Dickinson wrote to ask whether he thought her verse was “alive”, Thomas Wentworth Higginson – a critic for The Atlantic Monthly and a decorated Union veteran – knew he was seeing poetry that lived and breathed like nothing he had seen before.

Higginson was immediately awed by Emily Dickinson, and went on to become her editor, mentor, and one of the reclusive poet’s closest confidantes. The two met only twice, but exchanged hundreds of deeply personal letters over the next twenty-five years; they commented on each other’s work, mulled over writers they admired, and dazzled each other with nimble turns of phrase. After she died, he shepherded the first collected edition of her poetry into publication, and was a tireless champion of her work in his influential Recent Poems column for The Nation.

Later generations of literary scholars have dismissed Higginson as a dull, ordinary mind, blaming him for the decision to strip some of the distinctive, unusual structure from Dickinson’s poems for publication. However, Brenda Wineapple offers a portrait of Higginson that is far beyond ordinary. He was a widely respected writer, a fervent abolitionist, and a secret accomplice to John Brown’s raid on Harpers Ferry; wounded in the first year of the Civil War, he returned to service as colonel of the first federally-authorized regiment of former slaves. White Heat reveals a rich, remarkable friendship between the citizen soldier and the poet, a correspondence from which Dickinson drew tremendous passion and inspiration – and which she credited, more than once, with saving her life.

Brenda Wineapple is the author and editor of five books, including the award-winning Hawthorne: A Life and Sister Brother: Gertrude and Leo Stein. Her essays, articles, and reviews have appeared in The American Scholar, The New York Times Book Review, Parnassus, Poetry, and The Nation. She teaches in the MFA programs at Columbia University and The New School in New York.

Review: A Christmas Carol: In Prose, A Ghost Story of Christmas

300px-Charles_Dickens-A_Christmas_Carol-Title_page-First_edition_1843A Christmas Carol

A Christmas Carol is a novella by English author Charles Dickens first published by Chapman & Hall on 19 December 1843. The story tells of sour and stingy Ebenezer Scrooge’s ideological, ethical, and emotional transformation after the supernatural visits of Jacob Marley and the Ghosts of Christmas Past, Present, and Yet to Come. The novella met with instant success and critical acclaim.

The book was written and published in early Victorian era Britain when it was experiencing a nostalgic interest in its forgotten Christmas traditions, and at the time when new customs such as the Christmas tree and greeting cards were being introduced. Dickens’ sources for the tale appear to be many and varied but are principally the humiliating experiences of his childhood, his sympathy for the poor, and various Christmas stories and fairy tales.

The tale has been viewed by critics like T.A. Jackson and Paul Benjamin Davis as an indictment of 19th-century industrial capitalism, and was adapted several times to the stage. It has been credited with restoring the holiday to one of merriment and festivity in Britain and America after a period of sobriety and sombreness. A Christmas Carol remains popular, has never been out of print, and has been adapted to film, opera, and other media.

Context

In the middle 19th century, a nostalgic interest in pre-Cromwell Christmas traditions swept Victorian England following the publications of Davies Gilbert’s Some Ancient Christmas Carols (1822), William B. Sandys’s Selection of Christmas Carols, Ancient and Modern (1833), and Thomas K. Hervey’s The Book of Christmas (1837). That interest was further stimulated by Prince Albert, Queen Victoria’s German-born husband, who popularized the German Christmas tree in Britain after their marriage in 1841, the first Christmas card in 1843, and a revival in carol singing. Hervey’s study of Christmas customs attributed their passing to regrettable social change and the urbanization of England.

Dickens’ Carol was one of the greatest influences in rejuvenating the old Christmas traditions of England, but, while it brings to the reader images of light, joy, warmth and life, it also brings strong and unforgettable images of darkness, despair, coldness, sadness and death.[7] Scrooge himself is the embodiment of winter, and, just as winter is followed by spring and the renewal of life, so too is Scrooge’s cold, pinched heart restored to the innocent goodwill he had known in his childhood and youth.

Plot

Dickens divides the book into five chapters, which he labels “staves”, that is, “(song) stanzas” in keeping with the title of the book. (He uses a similar device in his next two Christmas books, titling the four divisions of The Chimes, “quarters”, after the quarter-hour tolling of clock chimes, and naming the parts of The Cricket on the Hearth “chirps”.)

The tale begins on a Christmas Eve in 1843 exactly seven years after the death of Ebenezer Scrooge’s business partner, Jacob Marley. Scrooge is established within the first stave as a greedy and stingy businessman who has no place in his life for kindness, compassion, charity or benevolence, rudely turning away two gentlemen who seek a donation from him. He hates Christmas, calling it “humbug”, and refuses his nephew Fred’s dinner invitation; his only “Christmas gift” is allowing his overworked, underpaid clerk Bob Cratchit Christmas Day off with pay (which he does only to keep with social custom, Scrooge considering it like being pickpocketed annually).

Returning home, Scrooge is visited by Marley’s ghost, who warns him to change his ways (lest he undergo the same miserable afterlife as himself). Scrooge is then visited by three additional ghosts – each in its turn, and each visit detailed in a separate stave – who accompany him to various scenes with the hope of achieving his transformation.

The first of the spirits, the Ghost of Christmas Past, takes Scrooge to Christmas scenes of his boyhood and youth, which stir the old miser’s gentle and tender side by reminding him of a time when he was more innocent. They also show what made Scrooge the miser that he is, and why he dislikes Christmas.

The second spirit, the Ghost of Christmas Present, takes Scrooge to several radically differing scenes (a joy-filled market of people buying the makings of Christmas dinner, the family feast of Scrooge’s near-impoverished clerk Bob Cratchit including his youngest son, Tiny Tim, who is seriously ill but cannot receive treatment due to Scrooge’s unwillingness to pay Cratchit a decent wage, a miner’s cottage, and a lighthouse, among other sites) in order to evince from the miser a sense of responsibility for his fellow man.

The third spirit, the Ghost of Christmas Yet to Come, harrows Scrooge with dire visions of the future if he does not learn and act upon what he has witnessed (including Tiny Tim’s death). Scrooge’s own neglected and untended grave is revealed, prompting the miser to aver that he will change his ways in hopes of changing these “shadows of what may be.”

In the fifth and final stave, Scrooge awakens on Christmas morning with joy and love in his heart, then spends the day with his nephew’s family after anonymously sending a prize turkey to the Cratchit home for Christmas dinner. Scrooge has become a different man overnight and now treats his fellow men with kindness, generosity and compassion, gaining a reputation as a man who embodies the spirit of Christmas. The story closes with the narrator confirming the validity, completeness and permanence of Scrooge’s transformation.

Sources: My knowledge of the book.

Voices of the Bulge: Untold Stories from Veterans of the Battle of the Bulge

I have a book review of “Voices of the Bulge: Untold Stories from Veterans of the Battle of the Bulge” by Michael Collins and Martin King in today’s edition of Front Row Lit Magazine. You can read it online at: http://frontrowlit.com/?p=125

Writer’s Life : My Writing Report Card

My writing report card for July: I was rejected by: Poetry Magazine, The New Yorker, and Asimov’s Science Fiction. I was accepted by: vox poetica. The poem Urban Pigeons will be in their August 26, 2012 issue. I had a book review in this month’s Front Row Lit magazine. I have four submissions currently pending with other publications. Note – you will never get rejected … or accepted if you don’t write and submit.

Review: Write His Answer

I found this wonderful little book while attending a seminar at the Greenlake Conference Center in Greenlake, Wisconsin. The book has 33 short chapters. You can read on a day as part of a daily devotional plan or quiet time. The chapter titles and appendix include Called to Write, Overcoming Procrastination, Seek His Kingdom First, Conquering the Deadly D’s, Driven or Led?, Proclaiming Truth to a Dying World, Laying a Bible Foundation for Your Writing Ministry, Helps for Forming Critique Groups, and From Idea to Published Manuscript.

I have gone through this book about once every year or two since it’s purchased. It reminds me of a few things I need to keep in mind and stay on task. If you are a Christian thinking about writing as a hobby, ministry, or vocation this book will point out some good foundations for you.

You will find wonderful encouragement and ideas from a Biblical point of view.

She also has a website at http://www.writehisanswer.com/.

Review: How to Pray

In How to Pray by R.A. Torrey his practical pointers on prayer clearly unfold the conditions God has established for intelligent, effective prayer that brings His answers, emphasizing the purpose and importance of prayer. He gives principals on:

  • The Importance of Prayer,
  • Praying unto God,
  • Obeying and Praying,
  • Praying in the Name of Christ and According to the Will of God,
  • Praying in the Spirit,
  • Always Praying and Not Fainting,
  • Abiding in Christ,
  • Praying with Thanksgiving,
  • Hindrances to Prayer,
  • When To Pray,
  • The need of Prayer Before and During Revivals, and
  • The Place of Prayer Before and During Revivals.

I own and read the Moody Press “Moody Classic” edition of the book. Read and reviewed by Jimmie A. Kepler.

Dandelion Wine

Dandelion Wine is a moving collection of stories of a magical small town summer in 1928.  It gives a nostalgic feeling of a childhood long gone. This is not a typical piece of work for Ray Bradbury. There are no supernatural or futuristic happenings.  It is a semi-autobiographical recollection. It is fun to read.

Dandelion Wine tells the story of twelve-year-old Douglas Spaulding spending the summer in Green Town, Illinois.   It is about Douglas Spaulding realizing that he is alive. It is very heavy on figurative writing.  I think it would be challenging for younger people under high school age to read.

I was particularly touched by the story of the best friend moving away.  Growing up in a military family, best friends moving away happened to often. It was always a sad time.

I highly recommend Ray Bradbury’s stories of boyhood and summer.  I have read it several times. I’ll do chapter summaries of the book. I’ll begin with a summary of chapter one.

Summary: Chapter 1. Douglas Spaulding spends the night in the cupola of his Grandfather’s house. It gives him a fantastic view of the town. He wakes up early on the first day of summer. He performs a complex series of actions that correspond with the darkness of night turning into morning’s first light and the awakening of the townspeople. He does this in a way similar to a conductor leading an orchestra. His actions imply magic, thus setting the basis of the novel as collections of life events touched with a degree of fantasy.

Summary: Chapter 2 has the theme of illumination. Douglas Spaulding goes with his ten-year-old brother Tom and his father to pick fox grapes. While Tom and his father act like today is just a regular day, Douglas senses a mysterious presence around them. When Tom starts a friendly horseplay fight between the two of them, Douglas suddenly realizes what the mysterious presence is. It is the revelation that he is alive. He finds it a wonderful and invigorating feeling.

Summary: Chapters 3, 4, and 5. Dandelion wine is offered as a metaphor of summer here, bottled for the winter season of illnesses and wheezing. In Douglas’ words: “Dandelion wine. The words were summer on the tongue. The wine was summer caught and stoppered.”

Douglas discovers that his feet won’t move as fast as that of the other boys because his sneakers are worn out. He becomes entranced by a pair of brand-new Cream-Sponge Para Litefoot Shoes in a shop window, and thinks on how the need for a “magic” pair of sneakers to run in the green grass is something only boys can understand when his father argues against buying another. The local shoe seller, Mr. Sanderson, is initially resistant to selling the sneakers to Douglas, especially since he doesn’t even have enough money to pay for them upfront. Douglas, however, convinces him to try on a pair of his own sneakers, which triggers memories in Mr. Sanderson of when he was a kid and ran like the antelopes and gazelles. He agrees to let Douglas have the sneakers in return for work done by him in the shop to pay off the bill. The story ends with Douglas speeding away in the distance and Mr. Sanderson picking up his discarded old sneakers.

Summary: Chapter 6. Douglas Spaulding lets Tom see a tablet of paper that he is using to record his summer in, with two sections labeled “Rites and Ceremonies” and “Discoveries and Revelations.” The contents of the two sections are what would be expected for a kid, including a “revelation” that kids and grown-ups don’t get along with each other because they’re “separate races and ‘never the twain shall meet.’” Tom suggests a eye-opener of his own. He explains night is created from “shadows crawling out from under five billion trees.”

Summary: Chapter 7. Chapter seven accomplishes another ritual of summer with the setting up of the porch swing as a place for night-long conversation. Douglas comments on how sitting in the porch swing feels somehow “right” because one would always be comforted by the droning, ceaseless voices of the adults. In keeping up with the fantasy-tinged atmosphere of the novel, the chapter gradually shifts from a realistic beginning, where the family is setting up the swing, to an almost dreamlike conclusion, where the grown-ups’ voices are personified as drifting on into the future.

Summary: Chapters 8 and 9. Chapters eight and nine tell of the “Happiness Machine”. After listening to old people’s depressing and defeatist conversations, Leo Auffmann maintains they shouldn’t dwell on such unhappy topics. Douglas and his grandfather, passing by, suggest to Leo that he should make a Happiness Machine. After the talking people laugh at this apparently ridiculous idea, Leo becomes determined to do just that. A brief scene of him returning to his family of six children indicates his happiness at home, demonstrated when his wife Lena asks, “Something’s wrong?” after Leo expresses his wish to build a Happiness Machine.

Summary: Chapter 10. Chapter ten concerns the night. Interposed between Leo’s stories is an extra story referring to Douglas’ family. It begins without fanfare. We find Tom running to Mrs. Singer’s store to get ice cream at nine o’clock on the same night for himself and Douglas. However, by nine-thirty, Douglas has not returned. This causes his worried mother to go to the ravine with Tom. Tom, in spite of the darkness of the night, feels safe because he is holding his mother’s hand and because he has a little understanding of death. His sense of security, however, vanishes when he feels his mother’s hand tremble and realizes that she is afraid, like him. The ensuing revelation that apparently unfazed grown-ups feel loneliness and pain too unnerves him and makes him aware of the darkness surrounding them. Just before he feels overwhelmed, Douglas and his friends return, breaking the spell of aloneness. Tom later tells Douglas that the ravine would not belong in Leo’s Happiness Machine, thus contrasting the pleasures humans wish for with the realities they receive instead.

Summary: Chapter 11. Chapter eleven is a short chapter. It picks-up on the topic of the Happiness Machine. The setting is the front swing. Leo sits with his wife Lena. The time is night. Lena tells him that they don’t need a Happiness Machine. Leo says that he’s going to build the Machine for others. He says it that would cure-all depressed. He is greeted with only silence, but is too preoccupied with noting the sounds of nature that would belong in the Machine to notice this foreshadowing.

Summary: Chapter 12. Chapter twelve could be titled “The Lawns of Summer”. It is another interception of Leo’s story which re-focuses on the Spaulding family. Douglas’ grandfather begins the day, happily reveling in the sound of the lawn mower running on their lawn, an indicator to him that summer has truly begun. Grandma, however, tells him that Bill Forrester, the man cutting their grass, is planning to plant new grass on their lawn that will only grow to a certain height, thus eliminating the need for lawn mowers. (Note: no such grass actually exists yet in the real world) Horrified at this, Grandpa gives Bill a firm lecture on how little things can matter more than the big ones, especially to experienced people like him. Bill attempts to change his mind, but only convinces Grandpa further of his position when he learns that the new grass will kill off the dandelions.

Grandpa finally pays Bill the cost of the grass flats in return for him not installing the flats in his lawn. He takes a nap and wakes up in the afternoon to find Bill cutting the lawn again, having learned to appreciate the “little things,” thanks to Grandpa.

Summary: Chapter 13. Chapter thirteen continues “The Happiness Machine” theme. Leo, still infatuated with building the Happiness Machine, asks Lena if she is “pleased, contented, joyful, or delighted.” Lena gives a mocking reply which offends Leo who is taking his goal seriously, and they get into an argument. The quarrel ends only when Lena realizes that she’s burned their dinner for the first time in twenty years.

Leo then spends several weeks laboring in his garage to build his Happiness Machine. During this time, the state of his family falls to pieces, but Leo is too busy with his invention to pay attention to his wife’s forewarning.

At last, Leo completes his Happiness Machine. As luck would have it, the Happiness Machine turns out to cause sadness instead of the anticipated happiness, causing both Saul, his son, and Lena to weep after sitting in it. Lena explains to him that a Happiness Machine cannot be built for humans because it would only give them everything they wanted all the time, and produce no fulfillment. Besides, it makes them pine for things they shouldn’t even be thinking about, such as when a dancing stimulation in the Machine caused her to miss the times when Leo would take her out for dances, hence causing them to feel only unhappiness about their lives. Leo, still disbelieving, decides to take a test run in the Machine himself, but just as he is about to do so, the Machine catches fire, and burns down to the ground.

After the incident, Leo comments to Douglas and his father that he’s been a fool because the real Happiness Machine has been right in front of him all along. He shows them his newfound Happiness Machine running in perfect order — his family.

Summary: Chapter 14. Chapter fourteen begins as the Spaulding family prepares to shake out the rugs, Douglas and Tom’s imaginations turn this chore into a magical discovery, fancying that they see the happenings and neighbors in their town in the stains of one rug. A lavish metaphor at the end of the chapter describes Tom beating the rug so hard that the dust rises up to meet him, another surrealistic chapter ending possibly a reference to the Judeo-Christian belief that man was created from dust.

Summary: Chapters 15 and 16. Chapter fifteen and sixteen concerns a “Season of Disbelief”. Mrs. Bentley, a seventy-two year old woman who saves all memorabilia from her past, finds her beliefs challenged by two girls named Alice and Jane, who meet her along with Tom and don’t believe her when she says that she was young like them once. Claiming that she’s lying, they run away laughing, leaving Mrs. Bentley infuriated.

The next time they meet, Mrs. Bentley shows them some of her relics, including a photograph of her as a child. Alice and Jane say that the objects don’t prove anything, since she could have got them from another girl, and Mrs. Bentley’s insistence that they will one day be old like her fails to unnerve them. They run away with her “stolen” possessions, further shaking Mrs. Bentley’s confidence in the authenticity of her childhood. As she sifts through her memorabilia, she hears the voice of her husband speaking to her, explaining that the items don’t really belong to her because they came from the past, not from the present she is living in now. Even affidavits wouldn’t change the fact that she’s no longer the self that the saved clothes and pictures were meant for.

Mrs. Bentley finally understands, and discards the tokens of her past the next day with the help of the girls and Tom. From then on, she lives in the present only, confirming the girls’ belief that she was never young “in a million trillion years.”

In a following chapter, Tom later tells Douglas of his revelation that old people never truly were young, which Douglas writes down in his tablet.

Summary: Chapters 17 and 18. Chapters seventeen and eighteen cover the theme of “The Last, the Very Last”. Douglas and Tom are introduced to a living “Time Machine” in the form of Colonel Freeleigh who narrates incredibly vivid descriptions of his personal experiences, including a fatal bullet trick performed by Ching Ling Soo, being on the prairie with Pawnee Bill, and witnessing the Battle of Fort Sumter. His anecdotes draw the boys themselves into the detailed events, and all agree that the colonel is a true Time Machine.

Similar to the previous story in Chapter fourteen, there is an expository chapter in which Douglas and Tom record the story in Douglas’ tablet and provide both casual and profound commentary on its implications.

Summary: Chapter 19. Chapter nineteen is about the “The Green Machine”. In the chapter two elderly women, Miss Fern and Miss Roberts, take refuge in their attic after they accidentally run over Mister Quartermain while riding the Green Machine, believing him to be dead. Huddling together, they recall the time when they bought the Green Machine from a salesman as a noiseless, smooth form of transportation. The first week on the Green Machine went by like a dream, until the accident with Mister Quartermain. Fern and Roberts lament on how they did not stop or at least get help for him, and then resolve to not drive the Green Machine ever again. Later on, they learn that Mister Quartermain did not die after all.

Summary: Chapter 20. Chapter twenty is about “The Trolley”. Douglas is horrified to find out that yet another form of transportation for the summer is about to be gone; the trolley run by Mr. Tridden, which will have its tracks replaced with new ones for a bus. On the last day of operation Mr. Tridden offers the children a free ride, and Douglas, Tom, and a group of children from the neighbourhood climb aboard. During the ride, they comment on how a bus cannot emulate the feel and smell of a trolley, further emphasized by use of gorgeous imagery to describe the sights the boys see while in the trolley. At the end of the line, Mr. Tridden uses an emergency generator to take the streetcar on a track line abandoned for eighteen years that leads to a lake where once the trolley took people to summer festivities. Mr Tridden relates the events of a summer night in 1910 before taking the children home. When the trip concludes, Douglas reflects on how he will always remember the trolley tracks, even after they have been buried in reality. In a humorous reversal, the somber meditation on the vanishing of the trolley is punctuated by a brief snippet of Douglas agreeing to a game of kick the can, abruptly ending the chapter on a lighthearted note.

Summary: Chapters 21 and 22. Douglas’ best friend John Huff is introduced and described in this chapter as the ideal boy to be friends with. John, however, tells Douglas that his family will be moving tomorrow. In response to Douglas’ protests, John comments on how he has suddenly realized that he’s taken so many things for granted in his neighborhood that he can’t remember most of them, including his parents’ faces, and on how he’s afraid that Douglas will similarly forget him. Douglas assures him that he has a perfect memory of his face, but ruins his claim when he can’t remember that John’s eyes are green.

Douglas attempts to enjoy his last day with John, but keeps on being reminded of the diminishing amount of time before John’s departure. He tries a last-ditch effort to keep John from leaving by “freezing” him for three hours when the children play statues. John refuses to play along and instead begins another round of Statues, in which he “freezes” Douglas instead just before he leaves for good. After he realizes that John is gone for good, Douglas, thinking of how statues stay still compared to humans who can’t be controlled, yells out into the distance that he hates John.

Another expository chapter, this one the shortest yet at only one page, has Douglas asking Tom to promise that he will stay with him. He also says that he’s concerned about how God runs the world, to which Tom replies simply, “He tries,” most likely an accepting remark that life isn’t perfect.

Summary: Chapter 23 and 24. Elmira Brown, a high-strung woman, believes that Clara Goodwater, her rival for the position of president for the Honeysuckle Ladies Lodge, is a witch who is causing her numerous small accidents, including tripping over objects in front of her. Elmira accuses Clara of performing dark magic on her to sabotage her chances in the election, using information from her mailman husband about a stack of books for magic spells that was sent to her house. Clara, in response, says that the books are for her younger cousin, and claims that Elmira’s accidents are caused by her own clumsiness. Unconvinced, Elmira brews a potion for herself to counter Clara’s “dark magic,” and brings Tom with her to the ladies’ meeting as her “charm.”

The potion, however, does not stop her from continuing to knock things over, and she in fact begins to feel strangely disoriented as she talks on the platform. Elmira loses the election yet again to Clara, who then draws from her purse a voodoo doll with several tacks embedded in it. A dazed Elmira asks Tom to show her the way to the restroom, but she makes a wrong turn and tumbles down a flight of stairs. Miraculously, she has no broken bones despite heavy bruises, and Clara apologizes to her and even offers a second vote to elect her as president. The story ends with all the women running up the stairs, laughing and crying at the same time. It is left unclear on whether Elmira’s fall was caused by mental disorder, nausea after drinking her “potion,” or real witchcraft by Clara.

Another one-page chapter shows Tom telling Douglas about his weird encounter with the ladies at the lodge, and they comment on how the town is full of magic, illustrating how kids view events differently than grown-ups do.

Summary: Chapters 25 and 26. Chapters twenty-five and twenty-six could be titled “The Window”. Colonel Freeleigh, the same “Time Machine” the boys listened to in Chapter seventeen, has been confined to a hospital for his weakening health. His sole comfort is a phone in his room that he can use to dial the number of an old friend in Mexico City who lays his phone on an open window to allow him to hear the bustling noises outside. When the nurse learns of his phone calls, she tells him that she will give orders to take the phone away to prevent him from overworking his heart further. A desperate Freeleigh, feeling his chest pains worsen, dials his friend’s number once more, begging for one last listening to the sounds of the city people. As his friend does so, Freeleigh immerses himself in the activity of Mexico City, thinking of how grateful he is for this reminder that the world is still alive and moving. When Douglas and the other children stop by for a visit, they find Freeleigh dead, still holding the phone. Douglas listens to the phone in time to hear “two thousand miles away, the closing of a window,” a metaphor for Freeleigh’s death.

In the following chapter, Douglas sits silently as Tom pretends to be a Civil War soldier, pondering on how with Colonel Freeleigh’s death, all of his memories of the historical figures died too. Tom, however, fails to share in his brooding, only suggesting that he write his thoughts down in his tablet before resuming his play.

Summary: Chapter 27. July has ended, and thirty-one bottles of dandelion wine have been made. Douglas, remembering his recent string of losses of friends and machines, wonders why each bottle looks identical and not representative of the day it was made on. He says out loud that August will be tedious and uneventful, to which his grandfather attempts to remedy his melancholy with a swig of dandelion wine and some ordered exercises.

Summary: Chapters 28 – 31. Bill Forrester, with Douglas at his side, orders lime-vanilla ice at the soda fountain. His unusual request catches the attention of ninety-five year old Helen Loomis who invites him to visit her house tomorrow. Bill complies, and he and Helen start a friendly conversation about the appearances people keep up for each other, that soon diverges into Loomis acting as a “Time Machine” similar to Colonel Freeleigh to transport Bill into the pyramids of Egypt. Bill comments on how comfortable he feels talking to her, and Helen replies by reminding him that she’s only an old woman. While lounging in his chair, Bill attempts to envision her as being young again; he succeeds for a moment in seeing “the swan,” which he unintentionally says out loud, strangely disquieting Helen.

Bill continues to visit Helen every day for two and a half weeks, but only on the last day does he tell her what motivated him to visit her in the first place: a photograph taken of her when she was twenty. He had seen the picture in the newspaper for the town ball and intended to go to the ball to seek the beautiful girl it showed, until someone told him that the picture had been taken a long time ago and had been used by the newspaper every year since then to advertise the ball. Helen replies with an overview of a young man she once knew in her youth who was handsome but wild and reckless; he left her, but when she saw Bill at the fountain that day, she was strongly reminded of him — almost as if he were a reincarnation of her former companion.

Sometime later, Bill finds Helen writing a letter addressed to him. Helen explains to him that she will be dead in a few days, and that the letter she is writing will come to him then. When Bill attempts to protest about the lack of time they have had together, Helen says that she believes that they will meet again sometime later — possibly in reincarnated forms. She tells him to marry and live happily, but says that he has to die before the age of fifty in order to ensure that when they are reincarnated, they will be of the correct ages and be able to meet and fall in love with each other.

Two days later, Bill receives the letter. Inside it is a note reading, “A dish of lime-vanilla ice.”

The next chapter shifts back to the viewpoint of Douglas, who asks Tom on how come Mr. Forrester and Mrs. Loomis did not get a happy ending, as in the movies. However, the boys’ attentions are quickly distracted from the subject when they arrive at Summer’s Ice House, and turn to the legend of the Lonely One in the town, acting as an introduction to the next story.

In the expository chapter, it is revealed in the conversation between Doug, Tom, and Charlie that Lavinia killed the Lonely One by stabbing him with a pair of sewing scissors. Charlie berates Lavinia for killing off their main source of thrills, but Tom convinces him that the actual Lonely One is still alive because the man they took in looked like “a plain, everyday man who wouldn’t pull the wings off even so much as a fly,” instead of the tall, bulgy-eyed monster they think he should look like. Neither of them listen to Douglas who says that he was at the ravine at that time and witnessed Lavinia discovering Elizabeth’s body, and thus can no longer treat the Lonely One as just an amusingly scary figure.

Summary: Chapters 32 and 33. Chapter thirty-two could be titled “Good-by, Grandma”. Douglas’ great-grandma, after countless years of assisting her family, feels that her time is expiring with a growing tiredness. She lies down in her bed amidst the protests of her relatives, waiting for her death. When Douglas asks her who’s going to do all the chores she did around the house, she says that they belong to anyone who wants them, and reminds him that she will not truly be dead in his mind. As her family leaves her to rest alone, she returns to the dream she was in before she was born, dying happily and peacefully.

In chapter thirty-three Douglas, disillusioned by the recent deaths and losses and by the light of a multitude of fireflies, writes for a long time on the shortcomings of things and people, associating them mainly with breaking down (machines) or death (people). He seems to be on the verge of a great revelation as he quickly scribbles at the end a summary of the dark side of his summer experience:

“So if trolleys and runabouts and friends and near friends can go away for a while or go away forever, or rust, or fall apart or die, and if people can be murdered, and if someone like great-grandma, who was going to live forever, can die…if all of this is true…then…I, Douglas Spaulding, some day, must…”

However, the fireflies’ light has gone out, so Douglas stops writing and releases the fireflies into the night. He then tries to fall asleep.

Summary: Chapters 34 and 35. Chapter thirty-four is about The Tarot Witch that was created for their novel. Douglas takes Tom to a Penny Arcade to show him the mechanical Tarot Witch there. When Tom asks him why he wanted him to see her, Douglas says that he asks too many questions. He then thinks to himself that it’s because he was initially elated when he realized that he was alive, before he realized that being alive meant that he must die someday too, no matter how much he wants to prevent it. No longer certain about his life, he wants to take comfort in something that he knows never will go away, i.e. the permanent amusements at the carnival. Douglas gets a typical fortune from the Tarot Witch, but the card she gives Tom is blank. Tom suggests that the Witch might have run out of ink, but Douglas insists that the blank card must have some special meaning. Thinking that she might have written a message in invisible ink on the back of the card, Douglas runs a match over it. He accidentally burns up the card in the process, but says that he read a French message from the Witch, calling for help. He comes to the conclusion that the Witch is really a princess trapped in hot wax that someone poured over her.

Douglas plots to “rescue” the Tarot Witch by overloading a machine with coins so that Mr. Black, the carnival manager, will use them to get drunk. Mr. Black, however, goes crazy and smashes the Witch’s glass case. Douglas jumps in to stop him; just as Mr. Black is about to attack him with a knife, he passes out from his drinking. Douglas and Tom confiscate the Witch, planning to free her, but just as they reach the ravine, Mr. Black reappears and flings the Witch into the ravine, to Douglas’ horror.

Later on in the day, Douglas and Tom return to where the Tarot Witch is lying. Douglas says to Tom that the Witch is really alive, and that someday he will be able to free her from the wax with magic spells so that the Witch will become just another figurine. As he mentions their fortunes, another blank card falls from her sleeve. Douglas exclaims that it must be written with her thanks and a prediction that they will “live forever.”

Chapter thirty-five can be titled “Hotter than Summer”. Douglas comes upon Tom who is counting the times cicadas buzz every fifteen seconds to measure the temperature. Douglas reads the home thermometer as reading 87°F (31°C), but Tom, after finishing his count, says that it is actually 92° (33°C) Spaulding. Feeling woozy, Douglas begins subconsciously counting to the cicadas’ buzzes too.

Summary: Chapters 36 and 38. Chapters thirty-six through thirty-eight concerns “Dinner at Dawn”.  This story focuses upon Mr. Jonas and his wagon full of discarded objects that he totes around town in the very early morning, allowing people to take what they need from it at no cost; many of them donating some of their old items to the wagon before it moves on forward again.

On a scorchingly hot morning, with the cicadas buzzing louder than normal with the rising temperature, Douglas lies in his bed, burning up with a fever. Tom and his mother attempt to cool him down, to no avail. In his fever, Douglas has hallucinations of long-lost people and machines walking past, including Mr. Tridden and his trolley, Miss Fern and Roberts riding by on their Green Machine, and Colonel Freeleigh popping up like a clock, all waving good-bye to him, which makes him cry out loud.

At four o’clock in the afternoon, Tom tells Mr. Jonas about Douglas’ condition and says that he’s afraid that he might die. Mr. Jonas gives him a set of wind-chimes to hang by Douglas’ window, but they do not make a sound because there is no wind. Mr. Jonas visits the Spaulding residence to see Douglas at seven-thirty, but Douglas’ mother says that he is not to be disturbed. By nightfall, Douglas is no better, and his family takes him outside in a cot, in the hope that he will be cooled by a wind.

Finally, at twelve-thirty, Mr. Jonas makes a stop with his wagon where Douglas is sleeping and leaves him two bottles filled with air containing soothing vapor and smells from the tropics and moisture-filled areas, on the condition that he pass this favor on to someone else. The bottles of air appear to work, as Tom finds Douglas breathing the same refreshing air in and out of his nose.

The next morning, the heat and the cicadas finally fade down with the coming of rain, and Douglas is well enough to write in his tablet again of his experience.

Summary: Chapter 39. Chapter thirty-nine is about “The Magical Kitchen”. Douglas’ grandma is renowned in the household for her divine cooking for the entire family. Aunt Rose, however, threatens this magic when she questions Grandma’s methods of cooking, and later persuades Grandma to organize her kitchen, wear glasses, and read from a cookbook while cooking. This systematic cooking that results, however, destroys the uniqueness and magicalness of Grandma’s dinners for the rest of the family. In response to this, Grandpa bids Aunt Rose good-bye, but Grandma appears to have lost her touch for cooking.  While the rest of the members are awake in their beds, Douglas sneaks down to the kitchen and restores it back to its original chaos, getting rid of the glasses and the cookbook. The family heads downstairs to find that Grandma has reconnected with her cooking again as it was meant to be, and everyone enjoys a magnificent late dinner. The chapter closes with Douglas thinking on how he repaid Mr. Jonas by passing on his favor.

Summary: Chapter 40. Chapter forty is “Green Wine for Dreaming” was created the novel the boys are writing. The last chapter of the novel concludes Douglas’ summer, as he and Tom spot school supplies advertised for sale in a shop window. The boys reminisce about the events of summer with the aid of the labeled dandelion wine bottles, guaranteeing that they will remember this summer in their hearts. The Spaulding family stores away their porch swing for autumn, as others reverse their summer preparations as the season draws to an end.

The end of the novel echoes the beginning, with Douglas performing his waking-up act in reverse, pretending to switch the lights off and put everyone else to sleep before finally going to sleep himself, ending a very eventful and memorable summer and ending a very enjoyable book.

Driving Blind

This 1997 collection is uneven and at times weak. There is less fantasy or science fiction than in many of Ray Bradbury’s earlier works.

In the short story “Remember Me?” we find the theme of meeting a familiar face in a distant place.

The theme of children’s storytelling and kissing games is found in “House Divided”.

The theme of looking up an old flame is in “I Wonder What’s Become of Sally?”

And one of my favorite themes, the revenge of the nerd everybody picked on is the theme of “The Highest Branch on the Tree”.

The book has some terrific moments. Examples are when Bradbury recalls a tiny, dusty, moth-eaten Mexican circus, tells the hilarious story of Irish drinking buddies looking for a safe place in the bogs to take a woman, and yet another tale of perfect love squandered (“Madame et Monsieur Shill”).

If you’re new to Bradbury, this will do nicely, but for veteran readers it’s a bit of same old same old. I guess Bradbury needed another paycheck to allow this to be published. It is not bad, but this is not his best work.