Meet the Poets: Sylvia Plath

 

Poet Sylvia Plath’s grave at St.Thomas’ Churchyard, Heptonstall, Yorkshire, England, UK

Sylvia Plath
1982 Pulitzer Prize Poetry

Mad Girl’s Love Song”

I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell’s fires fade:
Exit seraphim and Satan’s men:
I shut my eyes and all the world drops dead.

I fancied you’d return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)”

by Sylvia Plath
Source of Poem: Hello & Poetry

Smith College and Newnham College, Cambridge

Sylvia Plath (October 27, 1932 – February 11, 1963) was an American poet, novelist and short-story writer. Born in Boston, Massachusetts, she studied at Smith College and Newnham College, Cambridge before receiving acclaim as a professional poet and writer. She married fellow poet Ted Hughes in 1956 and they lived together first in the United States and then England, having two children together: Frieda and Nicholas. Following a long struggle with depression and a marital separation, Plath committed suicide in 1963. Controversy continues to surround the events of her life and death, as well as her writing and legacy.

The Colossus and Other Poems and Ariel

Plath is credited with advancing the genre of confessional poetry and is best known for her two published collections: The Colossus and Other Poems and Ariel.

Won Pulitzer Prize Posthumously

In 1982, she became the first poet to win a Pulitzer Prize posthumously, for The Collected Poems. She also wrote The Bell Jar, a semi-autobiographical novel published shortly before her death.

For more information about Sylvia Plath: http://en.wikipedia.org/wiki/Sylvia_Plath

Photo Source: Photo Used Under a Creative Commons 2.0 License from the Photographer

Meet the Poets: Sylvia Plath – 1982 Pulitzer Prize for Poetry

Mad Girl’s Love Song

I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell’s fires fade:
Exit seraphim and Satan’s men:
I shut my eyes and all the world drops dead.

I fancied you’d return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)”

by Sylvia Plath

Sylvia Plath (October 27, 1932 – February 11, 1963) was an American poet, novelist and short story writer. Born in Boston, Massachusetts, she studied at Smith College and Newnham College, Cambridge before receiving acclaim as a professional poet and writer. She married fellow poet Ted Hughes in 1956 and they lived together first in the United States and then England, having two children together: Frieda and Nicholas. Following a long struggle with depression and a marital separation, Plath committed suicide in 1963. Controversy continues to surround the events of her life and death, as well as her writing and legacy.

Plath is credited with advancing the genre of confessional poetry and is best known for her two published collections: The Colossus and Other Poems and Ariel. In 1982, she became the first poet to win a Pulitzer Prize posthumously, for The Collected Poems. She also wrote The Bell Jar, a semi-autobiographical novel published shortly before her death.

For more information about Sylvia Plath: http://en.wikipedia.org/wiki/Sylvia_Plath

Meet the Poets: W.S. Merwin – 1971 and 2009 Pulitzer Prize for Poetry

“Any work of art makes one very simple demand on anyone who genuinely wants to get in touch with it. And that is to stop. You’ve got to stop what you’re doing, what you’re thinking, and what you’re expecting and just be there for the poem for however long it take.” — W.S. Merwin.

William Stanley Merwin (New York City, September 30, 1927) is an American poet, credited with over 30 books of poetry, translation and prose. During the 1960s anti-war movement, Merwin’s unique craft was thematically characterized by indirect, unpunctuated narration. In the 1980s and 1990s, Merwin’s writing influence derived from his interest in Buddhist philosophy and deep ecology. Residing in Hawaii, he writes prolifically and is dedicated to the restoration of the islands’ rainforests.

Merwin has received many honors, including the Pulitzer Prize for Poetry (in both 1971 and 2009) and the Tanning Prize, one of the highest honors bestowed by the Academy of American Poets, as well as the Golden Wreath of the Struga Poetry Evenings. In 2010, the Library of Congress named Merwin the seventeenth United States Poet Laureate to replace the outgoing Kay Ryan.

Bob Dylan Awarded the Nobel Prize in Literature

bob_dylan_-_azkena_rock_festival_2010_2The singer and songwriter Bob Dylan was awarded the Nobel Prize in Literature on today for “having created new poetic expressions within the great American song tradition,” in the words of the Swedish Academy. He is the first American to win since the novelist Toni Morrison, in 1993.

In a 2013 Op-Ed Essay in the New York Times Bill Wyman wrote, “Mr. Dylan’s work remains utterly lacking in conventionality, moral sleight of hand, pop pabulum or sops to his audience. His lyricism is exquisite; his concerns and subjects are demonstrably timeless, and few poets of any era have seen their work bear more influence.”

Below is my poem, “Gone Electric.” It is a poetic tribute to Bob Dylan. It includes one line “And played the greatest poet – lyricist ever seen.” Today’s award kind of validates my point of view. The poem is my most viewed poem and second most viewed post on my blog with over 2,000 views a day.

If Dylan were sitting with me I could help but ask, “How does it feel?” to win the Nobel Prize in Literature.

Gone Electric

Our music choice back then was known as folk
the surgeon general told us not to smoke
Acoustic was our favorite sound
In Washington, D.C. The Beatles played in the round

We cried when JFK was assassinated that November day
and why the Vietnam War we asked LBJ
The Newport Folk Festival was going strong
And Bob Dylan wrote our favorite song

On television we all got Lost in Space
And Ryan O’Neil made hearts throb on Payton Place
Back in ’65 three girls sang with a sound which was Supreme
And played the greatest poet – lyricist ever seen

And the times were a changing because of him
Playboy Playmate Sara Lownds was his wife, young and trim
She gave him three sons and a beautiful little girl
Some before, some after the tour that rocked the world

His acoustic half-set sounded the same
the electric-half critics called a shame
and his music still changed the world
Even as shouts of Judas started to swirl

They hated him at the Royal Albert Hall
and were glad when he took that horrible fall
some thought after his motorcycle accident
That his life and career were totally spent.

Eight years before he toured the world again,
He wouldn’t let the critics boss him with their poison pen
And his music never really would change
Though his voice now shows age’s strain

To the arenas, stadiums, and theaters we still all come
and he sings putting the sunshine:  in our lives glum
Just Like a Woman, Mr. Tambourine Man and Desolation Row
Then with Like a Rolling Stone he closes the show.

Jimmie Aaron Kepler
© 2011

Originally published in:
WORDS..RHYMES..POETRY & PROSE! as  Electric Dylan
“Gone Electric” is the title poem in “Gone Electric: A Poetry Collection” available on Amazon.

Photo Credit: This file is licensed under the Creative Commons Attribution 2.0 Generic license.
Description: Bob Dylan, onstage in Victoria-Gasteiz, at the Azkena Rock Festival.
Date 26 June 2010, 21:14
Source Bob Dylan
Author Alberto Cabello from Vitoria Gasteiz.


Jimmie Aaron Kepler’s work has appeared in six different Lifeway Christian publications as well as The Baptist Program, The Baptist Standard (ghostwriter), Thinking About Suicide.com, Poetry & Prose Magazine, vox poetica, The Dead Mule School of Southern Literature, Bewildering Stories, Beyond Imagination Literary Magazine, WORDS..RHYMES..POETRY & PROSE, and more. His novels The Rebuilder and Miss Sarah’s Secret as well as Charlie’s Bells: A Short Story Anthology and the award-winning short story The Cup, and the short stories Invasion of the Prairie Dogs, Miracle at the Gibson Farm: A Christmas Story, The Paintings and poetry collection Gone Electric: A Poetry Collection are available on Amazon.com.


Available on Amazon

My Writer’s Group

Our writing group! Minus a couple of key members.
Our writing group! Minus a couple of key members.

One way a writer can improve his odds of traditional publication is having an established writer as a mentor. Writing groups can also encourage and mentor. Let me share an example of the influence a mentor.

In 1919 a young veteran returned from World War I. He moved to Chicago moving into a certain neighborhood for the purpose of being close to the author Sherwood Anderson.

The young beginning writer liked the critical praise for Anderson and his book Winesburg, Ohio. He had heard that Sherwood Anderson was willing to help aspiring writers. He worked to met Anderson. The two men became close friends. They met almost every day to read newspapers, magazines, and novels. They dissected the writings they read.

The aspiring writer brought his own works for critique having Anderson help him improve his craft. Anderson went as far as introducing the want-to-be writer to his network of publishing contacts. The aspiring writer did okay with his first book The Sun Also Rises. The aspiring writer was Ernest Hemingway.

Sherwood Anderson didn’t stop there. He moved to New Orleans where he met another aspiring writer. He took the young man through the same steps and paces of the craft. They shared an apartment. He even invested $300 in getting this writer’s first book Soldier’s Pay published. This young author was William Faulkner. Faulkner’s teacher was the encouragement of learning from how others crafted their work.

Anderson would later move to California and repeat the process with John Steinbeck. Thomas Wolfe and Erskine Caldwell were also mentored by Sherwood Anderson. Ray Bradbury says Winesburg, Ohio was on his mind when he wrote The Martin Chronicles. He basically wrote Winesburg, Ohio placing it on the planet Mars.

Only Mark Twain has had a greater influence in shaping modern American writing than Sherwood Anderson. Anderson didn’t do too badly, did he? William Faulkner, Ernest Hemingway and John Steinbeck each won the Nobel Prize for Literature and there are multiple Pulitzer Prizes between them.

If you are serious about writing find a mentor or join a writing group. My writer’s group and critique group keep me motivated. My writer’s group and group’s member are the best thing that happened to me in 2012.

Meet the Poets: Mona Van Duyn – Pulitzer Prize in Poetry 1991 and Poet Laureate of the United States of America 1992

Mona Jane Van Duyn (May 9, 1921 – December 2, 2004) was an American poet. She won every major American award for poetry and was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 1992.

In 1921, Mona Van Duyn was born in Waterloo, Iowa, and raised in the small town of Eldora, Iowa.

She received degrees from Iowa State Teachers College and the University of Iowa. It was there she met Jarvis Thurston, whom she married in 1943, and with whom she founded Perspective, a Quarterly of Literature in 1947, a publication she co-edited until 1975.

Van Duyn’s first collection of poems, Valentines to the Wide World (Cummington Publishing), was published in 1959, followed by A Time of Bees, which appeared as part of the University of North Carolina Press Contemporary Poetry Series in 1964.

She became close friends with the poet James Merrill, and from 1964 through 1981 the two engaged in regular correspondence, which included exchanging poems by mail.

In 1970, Van Duyn published To See, To Take (Atheneum), which received the National Book Award in 1971, followed by Bedtime Stories (Ceres Press, 1972). Her later collections include: Selected Poems (Knopf, 2003); Firefall (1994); If It Be Not I: Collected Poems, 1959-1982 (1994); Near Changes (1990), for which she won the Pulitzer Prize; Letters From a Father, and Other Poems (Atheneum, 1982); and Merciful Disguises (1973), which includes the bulk of her first four books.

About her work, the poet Alfred Corn has said, “Mona Van Duyn has assembled, in a language at once beautiful and exact, one of the most convincing bodies of work in our poetry.” Cynthia Zarin has called her poetry “notable for its formal accomplishment and for its thematic ambition,” adding that the “searching intelligence of the persona we have learned to know in her poems, combined with the humor, technical ease, and the blend of the abstract and the quotidian that the poet has made her own have resulted in that rare good thing: a strong, clear voice, original without eccentricity.”

Van Duyn was awarded the Bollingen Prize, the Hart Crane Memorial Award, the Ruth Lilly Prize, the Loines Prize of the National Institute of Arts and Letters, the Shelley Memorial Prize, and both the Harriet Monroe Memorial Prize and the Eunice Tietjens Award from Poetry magazine, as well as fellowships from The Academy of American Poets, the American Academy of Arts and Sciences, the Guggenheim Foundation, and the National Endowment for the Arts.

Van Duyn has said, “I believe that good poetry can be as ornate as a cathedral or as bare as a pottingshed, as long as it confronts the self with honesty and fullness. Nobody is born with the capacity to perform this act of confrontation, in poetry or anywhere else; one’s writing career is simply a continuing effort to increase one’s skill at it.”

She was elected a Chancellor of the Academy of American Poets in 1985, and served as the first woman Poet Laureate of the United States from 1992 to 1993, the year she was inducted into the St. Louis Walk of Fame.

Mona Van Duyn died of bone cancer on December 1, 2004, in St. Louis, Missouri, where she had lived since 1950.

Selected Bibliography

Valentines to the Wide World (Cummington Publishing, 1959)
A Time of Bees (University of North Carolina Press, 1964)
To See, to Take (Antheneum, 1970)
Bedtime Stories (Ceres Press, 1972)
Merciful Disguises: Poems Published and Unpublished (Atheneum, 1973)
Letters from a Father, and Other Poems (Atheneum, 1982)
Near Changes (Knopf, 1990) – Pulitzer Prize 1991
If It Be Not I: Collected Poems (Knopf, 1992)
Firefall (Knopf, 1992)
Selected Poems (Knopf, 2002)

Sources: http://en.wikipedia.org/wiki/Mona_Van_Duyn and http://www.poets.org/poet.php/prmPID/169

 

 

 

Meet the Poets: Bob Dylan – 2008 Pulitzer Prize: Special Awards and Citations

The Pulitzer Prize jury in 2008 awarded Bob Dylan a special citation for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.”

PERSONAL INFORMATION
Birth: May 24, 1941 in Duluth, Minnesota, United States.
Occupation: Singer, musician.
Family: son of Abe Zimmerman and Beatrice Rutman; m. Sara Lownds (or Lowndes), Nov. 22, 1965 (div. June 19, 1977); children: Jakob, Jesse, Samuel, Anna, Maria; m. Carolyn Y. Dennis, June 4, 1986 (div. Oct. 1992); 1 child, Desiree Gabrielle.
Education: self-taught; student, U. Minn., 1960; Music Dept., Princeton U., 1970.
Avocations/Research/Interests: Achievements include devising and popularizing folk-rock.
Addresses: Office, Columbia Records, 550 Madison Ave, New York, NY, 10022-3211.

AWARDS
Named to Rock and Roll Hall of Fame, 1988.
recipient Lifetime Achievement Award, Grammy Awards, 1991.
Prince of Asturias Arts award, Prince of Asturias Found, 2007.

WORKS
Musician: (albums) Bob Dylan, 1962; The Freewheelin’ Bob Dylan, 1963; The Times They Are A-Changin’, 1964; Another Side of Bob Dylan, 1964; Bringing It All Back Home, 1965; Highway 61 Revisited, 1965; Blonde on Blonde, 1966; John Wesley Harding, 1967; Bob Dylan’s Greatest Hits, 1967; Nashville Skyline, 1969; Self Portrait, 1970; New Morning, 1970; Bob Dylan’s Greatest Hits, Vol. 2, 1971; Dylan, 1973, Planet Waves, 1974; Blood on Tracks, 1975; Desire, 1976; Hard Rain, 1976; Street Legal, 1978; Masterpieces, 1978; Slow Train Coming, 1979 (Grammy Award for Best Male Rock Vocal Performance for “Gotta Serve Somebody”, 1980); Bob Dylan At Budokan, 1979; Saved, 1980; Shot of Love, 1981; Infidels, 1983; Real Live, 1984; Empire Burlesque, 1985; Biograph, 1985; Knocked Out Loaded, 1986; Down In The Groove, 1988; Oh Mercy, 1989; Under the Red Sky, 1990; The Bootleg Series, Vols. 1-3: (Rare and Unreleased 1961-1991), 1991; Good as I Been to You, 1992; World Gone Wrong, 1993 (Grammy Award for Best Traditional Folk Album, 1994); Bob Dylan’s Greatest Hits, Vol. 3, 1994; MTV Unplugged, 1995; Time Out of Mind, 1997 (Grammy Award for Album of Yr., 1998, Grammy Award for Best Contemporary Folk Album, 1998; Grammy Award for Best Male Rock Vocal Performance for “Cold Irons Bound”, 1998); The Best of Bob Dylan, 1997; The Bootleg Series, Vol. 4: The Royal Albert Hall Concert, 1998; Essential Bob Dylan, 2000; The Best of Bob Dylan, Vol. 2, 2000; The Very Best of Bob Dylan, 2000; Love and Theft, 2001 (Grammy Award for Best Contemporary Folk Album, 2002); The Bootleg Series, Vol. 5, Live 1975; The Rolling Thunder Revue, 2002; The Bootleg Series, Vol. 6: Live 1964, 200;, The Bootleg Series, Vol. 7: No Direction Home: The Soundtrack, 2005, Live at the Gaslight 1962, 2005; Modern Times, 2006 (Grammy Award for Best Contemporary Folk Album, Best Solo Rock Vocal Performance, 2007); musician: (with various artists) The Concert for Bangladesh, 1971 (Grammy Award for Album of Year, 1973); Bob Dylan 30th Anniversary Concert Celebration, 1993; musician: (with The Band) Before the Flood, 1974; The Basement Tapes, 1976; musician: (with Grateful Dead) Dylan and the Dead, 1988; musician: (with Traveling Wilburys) Traveling Wilburys Vol. 1, 1988 (Grammy Award for Best Rock Performance by a Duo or Group with Vocal, 1990); Traveling Wilburys Vol. 3, 1990; musician: (soundtracks) Pat Garrett and Billy the Kid, 1973; The Last Waltz, 1976; Wonder Boys, 2000 (Academy Award for Best Original Song for “Things Have Changed”, 2001); Masked and Anonymous, 2003.

Composer: (songs) Like a Rolling Stone and over 500 more.
Dir., editor: (films) Eat the Document, 1972.
Appeared in: (documentaries) Don’t Look Back, 1967; No Direction Home, 2005
Actor: (films) Pat Garret and Billy the Kid, 1973; Hearts of Fire, 1987; actor, composer, dir., editor, writer (films) Renaldo and Clara, 1978; actor, composer, writer Masked and Anonymous, 2003.
Actor: (TV films) The Madhouse on Castle Street, 1963.
Author: Tarantula, 1971; Writings and Drawings, 1973; Tarantula: Poems, 1994; (book of sketches) Drawn Blank, 1994; (memoirs) Chronicles, Vol. 1, 2004 (Quills award-biography/memoir, 2005).

SOURCE CITATION
“Bob Dylan.” Marquis Who’s Who™, 2008.
http://www.pulitzer.org/biography/2008-Special-Awards-and-Citations

Meet the Poets: Archibald MacLeish – Pulitzer Prize in Poetry 1933, 1953, and 1959.

Archibald MacLeish was born in Glencoe, Illinois, on 7th May 1892. After graduating from Yale University in 1915 and two years later his first book of poems, Tower of Ivory, was published.

MacLeish he joined the United States Army in 1917. He served in France as a field artillery officer during the First World War and during the summer of 1918 took part in the2nd Battle of the Marne. On his return to the United States MacLeish resumed his studies and received a law degree from Harvard Law School in 1919 and became a lawyer in Boston.

In 1923 MacLeish gave up his legal career and decided to tour Europe. During this period he published several books of poetry including The Happy Marriage (1924), The Pot of Earth (1925), Streets in the Moon (1926), The Hamlet of A. MacLeish (1928) and New Found Land(1930). He also wrote two plays, Nobodaddy and Panic which dealt with the Wall Street Crash.

MacLeish worked as editor of Fortune Magazine (1929-1938) but continued to write poetry.Conquistador (1932) won the Pulitzer Prize and His Frescoes for Mr. Rockefeller’s City (1933) was described by one critic as campaign poetry for Franklin D. Roosevelt and the New Deal. MacLeish also joined the League for Independent Political Action. The group, that included Lewis Mumford and John Dewey, promoted alternatives to a capitalist system they considered to be obsolete and cruel.

In August 1936 MacLeish wrote an article for New Masses where he urged the United States government to support the republicans in the Spanish Civil War. Along with John Dos Passos, Lillian Hellman and Ernest Hemingway, MacLeish helped to finance The Spanish Earth, a documentary film about the war.

MacLeish came into conflict with Henry Luce, the owner of Fortune Magazine, and Laird Goldsborough, the foreign affairs editor of Time Magazine, also part of the Luce’s growing media empire. George Teeple Eggleston, who worked for the company at the time, has claimed that it was Goldsborough who persuaded Luce to support General Francisco Franco during the Spanish Civil War. According to Eggleston: “Time’s conservative foreign news editor, Laird Goldsborough, promptly slanted all news stories in his department in favor of General Franco’s rebel insurgents.” Eggleston argued that MacLeish “promptly bombarded Luce memos denouncing Franco’s coalition of landowners, the Church, and the army”. Goldsborough responded by arguing: “On the side of Franco are men of property, men of God, and men of the sword. What positions do you suppose these sorts of men occupy in the minds of 700,000 readers of Time?… They resent communists, anarchists, and political gangsters – those so-called Spanish Republicans.”

MacLeish also joined other left-wing writers in the League of American Writers. Other members included Erskine Caldwell, Upton Sinclair, Malcolm Cowley, Clifford Odets, Langston Hughes, Carl Sandburg, Carl Van Doren, David Ogden Stewart, John Dos Passos, Lillian Hellman and Dashiell Hammett. MacLeish wrote at the time: “The real struggle of our time was not between communism and fascism but the much more fundamental struggle between democratic institutions on the one side and all forms of dictatorship, whatever the dictator’s label, on the other.”

MacLeish took a keen interest in world affairs and The Fall of the City (1937), a radio play about the growth of fascism in Europe, obtained a large audience in the United States. In April 1938 MacLeish published Land of the Free. The book included 338 lines of a poem by MacLeish and 88 photographs by Dorothea Lange, Walker Evans, Arthur Rothstein and Ben Shahn. Most of the photographs came from the Farm Security Administration project and dealt with issues such as rural poverty and child labour.

In 1939 President Franklin D. Roosevelt decided to appoint MacLeish as librarian of Congress. Right-wing politicians objected to this proposal and J. Parnell Thomas a member of the House of Un-American Activities, argued that MacLeish was a communist. MacLeish, who had been a harsh critic of the American Communist Party for many years, replied “no one would be more shocked to learn I am a Communist than the Communists themselves.” When the vote was taken in the Senate, sixty-three voted for MacLeish (eight voted against and twenty-five abstained) and he was appointed.

During the Second World War MacLeish wrote for the New Republic. He was also head of the Office of Facts and Figures. This brought him into conflict with J. Edgar Hoover, who tried to stop him employing left-wing figures such as Malcolm Cowley. Hoover complained that Cowley had been “associated with various Liberal and Communist groups.” In January 1942, MacLeish replied that the FBI agents needed a course of instruction in history. “Don’t you think it would be a good thing if all investigators could be made to understand that Liberalism is not only not a crime but actually the attitude of the President of the United States and the greater part of his Administration?”

MacLeish was unaware that he was also under investigation by Hoover and the FBI. The agency was particularly interested in his involvement with the League of American Writers and other anti-fascist groups in the United States and his pro-Russian stance after the bombing of Pearl Harbor. MacLeish’s FBI file eventually ran to six hundred pages, longer than any other writer in the United States.
In November 1944 Franklin D. Roosevelt appointed MacLeish as his assistant secretary of state for cultural and public affairs. Once again right-wing members of the Senate complained about the appointment of MacLeish. The vote was close with forty-three in favour, twenty-five against, and twenty-eight abstaining.

MacLeish’s main task was to promote the idea of the United Nations to the American people. However, the job only lasted a few months as Harry S. Truman decided not to reappoint him after the death of Roosevelt on 12th April 1945.

In October 1952 Joseph McCarthy claimed that MacLeish had belonged to more Communist front organizations than any man he had investigated. Despite coming under increasing pressure, MacLeish bravely defended his left-wing friends during the McCarthyism era. A play about the irrational fear of communism, The Trojan Horse, appeared in 1952.

MacLeish was appointed professor of rhetoric and oratory at Harvard University in 1949. Other books by MacLeish include Poetry and Journalism (1958), Poetry and Experience (1961), The Collected Poetry of Archibald MacLeish (1963), The Dialogues of Archibald MacLeish and Mark Van Doren (1964), The Wild Old Wicked Man and Other Poems (1968), The Human Season (1972) and Riders on the Earth (1978).

Archibald MacLeish died in Boston on 20th April, 1982.

Source: http://www.spartacus.schoolnet.co.uk/USAmacleish.htm and http://en.wikipedia.org/wiki/Archibald_MacLeish

 

 

 

Meet the Poets: Elizabeth Bishop – Pulitzer Prize in Poetry 1956 and Poet Laureate of the United States of America 1949 -1950

Elizabeth Bishop (February 8, 1911 – October 6, 1979) was an American poet, short-story writer, and recipient of the 1976 Neustadt International Prize for Literature. She was the Poet Laureate of the United States from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956 and the National Book Award winner in 1970. Elizabeth Bishop House is an artists’ retreat in Great Village, Nova Scotia dedicated to her memory. She is considered one of the most important and distinguished American poets of the 20th century.

Influences

Bishop was greatly influenced by the poet Marianne Moore to whom she was introduced by a librarian at Vassar in 1934. Moore took a keen interest in Bishop’s work, and at one point Moore dissuaded Bishop from attending Cornell Medical School, in which the poet had briefly enrolled herself after moving to New York City following her Vassar graduation. It was four years before Bishop addressed “Dear Miss Moore” as “Dear Marianne,” and only then at the elder poet’s invitation. The friendship between the two women, memorialized by an extensive correspondence (see One Art), endured until Moore’s death in 1972. Bishop’s “At the Fishhouses” (1955) contains allusions on several levels to Moore’s 1924 poem “A Grave.”

She was introduced to Robert Lowell by Randall Jarrell in 1947 and they became great friends, mostly through their written correspondence, until Lowell’s death in 1977. After his death, she wrote, “our friendship, [which was] often kept alive through years of separation only by letters, remained constant and affectionate, and I shall always be deeply grateful for it”. They also both influenced each other’s poetry. Lowell cited Bishop’s influence on his poem “Skunk Hour” which he said, “[was] modeled on Miss Bishop’s ‘The Armadillo.'” Also, his poem “The Scream” is “derived from…Bishop’s story In the Village.” “North Haven,” one of the last poems she published during her lifetime, was written in memory of Lowell in 1978.

Literary Style and Identity

Bishop did not see herself as a “lesbian poet” or as a “female poet.” Although she still considered herself to be “a strong feminist,” she only wanted to be judged based on the quality of her writing and not on her gender or sexual orientation. Also, where some of her notable contemporaries like Robert Lowell and John Berryman made the intimate, often sordid details of their personal lives an important part of their poetry, Bishop avoided this practice altogether. For instance, like Berryman, Bishop struggled with alcoholism and depression throughout her adult life; but Bishop never wrote about this struggle (whereas Berryman made his alcoholism and depression a focal point in his dream song poems).

In contrast to this confessional style involving large amounts of self-exposure, Bishop’s style of writing, though it sometimes involved sparse details from her personal life, was known for its highly detailed and objective, distant point of view and for its reticence on the sordid subject matter that obsessed her contemporaries. In contrast to a poet like Lowell, when Bishop wrote about details and people from her own life (as she did in her story about her childhood and her mentally unstable mother in “In the Village”), she always used discretion.

Although she was generally supportive of the “confessional” style of her friend, Robert Lowell, she drew the line at Lowell’s highly controversial book The Dolphin (1973), in which he used and altered private letters from his ex-wife, Elizabeth Hardwick (whom he’d recently divorced after 23 years of marriage), as material for his poems. In a letter to Lowell, dated March 21, 1972, Bishop strongly urged him against publishing the book, writing, “One can use one’s life as material [for poems]–one does anyway—but these letters—aren’t you violating a trust? IF you were given permission—IF you hadn’t changed them. . .etc. But art just isn’t worth that much.”

Later Career

In addition to winning the Pulitzer Prize, Bishop won the National Book Award and the National Book Critics Circle Award as well as two Guggenheim Fellowships and an Ingram Merrill Foundation grant. In 1976, she became the first woman to receive the Neustadt International Prize for Literature, and remains the only American to be awarded that prize.

Bishop lectured in higher education for a number of years starting in the 1970s when her inheritance began to run out. For a short time she taught at the University of Washington, before teaching at Harvard University for seven years. She often spent her summers in her summer house in the island community of North Haven, Maine. She taught at New York University, before finishing at the Massachusetts Institute of Technology. She commented “I don’t think I believe in writing courses at all… It’s true, children sometimes write wonderful things, paint wonderful pictures, but I think they should be discouraged.”

In 1971 Bishop began a relationship with Alice Methfessel. Never a prolific writer, Bishop noted that she would begin many projects and leave them unfinished. She published her last book in 1976, Geography III. Three years later, she died of a cerebral aneurysm in her apartment at Lewis Wharf, Boston. She is buried in Hope Cemetery in Worcester, Massachusetts. Alice Methfessel was her literary executor.

Awards and Honors

1945: Houghton Mifflin Poetry Prize Fellowship
1947: Guggenheim Fellowship
1949: Appointed Consultant in Poetry at the Library of Congress
1950: American Academy of Arts and Letters Award
1951: Lucy Martin Donelly Fellowship (awarded by Bryn Mawr College)
1953: Shelley Memorial Award
1954: Elected to lifetime membership in the National Institute of Arts and Letters
1956: Pulitzer Prize for Poetry
1960: Chapelbrook Foundation Award
1964: Academy of American Poets Fellowship
1968: Fellow of the American Academy of Arts and Sciences
1968: Ingram-Merrill Foundation Grant
1969: National Book Award
1969: The Order of the Rio Branco (awarded by the Brazilian government)
1974: Harriet Monroe Poetry Award
1976: Books Abroad/Neustadt International Prize
1976: Elected to the American Academy of Arts and Letters
1977: National Book Critics Circle Award
1978: Guggenheim Fellowship

Elizabeth Bishop’s Poetry Collections :

North & South (Houghton Mifflin, 1946)
Poems: North & South/A Cold Spring (Houghton Mifflin, 1955)
A Cold Spring (Houghton Mifflin, 1956)
Questions of Travel (Farrar, Straus, and Giroux, 1965)
The Complete Poems (Farrar, Straus, and Giroux, 1969)
Geography III, (Farrar, Straus, and Giroux, 1976)
The Complete Poems: 1927–1979 (Farrar, Straus, and Giroux, 1983)
Edgar Allan Poe & The Juke-Box: Uncollected Poems, Drafts, and Fragments by Elizabeth Bishop ed. Alice Quinn, (Farrar, Straus, and Giroux, 2006)

Sources: http://www.poemhunter.com/elizabeth-bishop/biography/ and http://en.wikipedia.org/wiki/Elizabeth_Bishop

Meet the Poets: Maxine Kumin – Pulitzer Prize in Poetry 1973 and Poet Laureate of the United States of America 1981 -1982

Maxine Kumin (born June 6, 1925) is an American poet and author. She was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 1981–1982. She received her BA and MA from Radcliffe College.

She has published numerous books of poetry, including Where I Live: New & Selected Poems 1990-2010 (W. W. Norton, 2010); Still to Mow (2009); Jack (2003); The Long Marriage (2003); Bringing Together (2003); Connecting the Dots (1996); Looking for Luck (1992), which received the Poets’ Prize; Nurture (1989); The Long Approach (1986); Our Ground Time Here Will Be Brief (1982); House, Bridge, Fountain, Gate (1975); and Up Country: Poems of New England (1972), for which she received the Pulitzer Prize in 1973.

She is also the author of a memoir, Inside the Halo and Beyond: The Anatomy of a Recovery (W. W. Norton, 2000); four novels; a collection of short stories; more than twenty children’s books; and five books of essays, most recently The Roots of Things: Essays (Northwestern University Press, 2009) and Always Beginning: Essays on a Life in Poetry (Copper Canyon Press, 2000).

She has received the Aiken Taylor Award for Modern Poetry, an American Academy of Arts and Letters award, the Sarah Joseph Hale Award, the Levinson Prize, a National Endowment for the Arts grant, the Eunice Tietjens Memorial Prize from Poetry, and fellowships from The Academy of American Poets, and the National Council on the Arts.

She has served as Consultant in Poetry to the Library of Congress and Poet Laureate of New Hampshire, and is a former Chancellor of the Academy of American Poets. She lives in New Hampshire.

Source: http://www.poets.org/poet.php/prmPID/94

More information: http://en.wikipedia.org/wiki/Maxine_Kumin